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Slav-nsk [51]
3 years ago
9

Jupiter has 53 named moons. Fourteen more have been discovered but not given official status or names. Combined, scientists now

think 67 moons revolve around Jupiter in unison.
As used in the passage, what does the word unison mean?
A.
to be in agreement
B.
coincidence in pitch of notes
C.
together at the same time
D.
to be tuned or sounded
English
1 answer:
eimsori [14]3 years ago
8 0
C. Together at the same time
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Order these events chronologically as they take place in the story.
noname [10]
1) The narrator describes the location of the town and its relationship with the capital. 2) The townspeople gather for a ceremony. 3) The colonel rejects a petition from the people of the town. 4) A crowd feels relieved and disperses.
3 0
3 years ago
I’m nobody who are you which statement best tells the central idea of the poem ?
olga2289 [7]

The statement which tells the central idea of the poem is Being nobody is not a lonely position to hold, and despite being despised, it has its benefits.

<h3>What is, "I'm nobody! Who are you"?</h3>

I'm nobody! Who are you? is a poem written by Emily Dickinson. The poem is about being anonymous is good, in place of being somebody, being nobody is advantageous.

The options are attached here:

A. Being nobody is a lonely identity that is looked down upon and has no advantages.

B. Being nobody is a lonely identity that is looked down upon, but it has many advantages.

C. Being nobody is not a lonely identity, and though it may be looked down upon, it has its advantages.

Thus, the correct option is C. Being nobody is not a lonely position to hold, and despite being despised, it has its benefits.

Learn more about "I'm nobody! Who are you"

brainly.com/question/27513663

#SPJ1

7 0
1 year ago
Explain how beginning the story with the dialogue between Rainsford and Whitney contributes to both the authors characterization
Zanzabum

Answer and explanation:

Rainsford and Whitney are characters in Richard Connell's short story "The Most Dangerous Game". They are both hunters who are traveling in a yatch. <u>During their dialog, they begin to discuss the way the game (the prey) feels when it is being hunted.</u> Whitney has empathy for the game, thinking animals can at least understand fear. <u>Rainsford, on the other hand, has no empathy whatsoever. He sees the world as divided into those who hunt and those who are hunted. He seems himself as lucky for being the one who hunts</u>. See the dialog below:

<em>"The best sport in the world," agreed Rainsford. </em>

<em>"For the hunter," amended Whitney. "Not for the jaguar." </em>

<em>"Don't talk rot, Whitney," said Rainsford. "You're a big-game hunter, not a philosopher. Who cares how a jaguar feels?" </em>

<em>"Perhaps the jaguar does," observed Whitney. </em>

<em>"Bah! They've no understanding." </em>

<em>"Even so, I rather think they understand one thing--fear. The fear of pain and the fear of death." </em>

<em>"Nonsense," laughed Rainsford. "This hot weather is making you soft, Whitney. Be a realist. The world is made up of two classes--the hunters and the huntees. Luckily, you and I are hunters. Do you think we've passed that island yet?"</em>

<em />

<u>If the above part of the dialog helps us understand Rainsford arrogance</u>, the second part helps characterize the story's mood. <u>Their yatch is now passing by an island that is famous for being evil. The mood of the story becomes suspenseful and mysterious:</u>

<em>"I can't tell in the dark. I hope so." </em>

<em>"Why? " asked Rainsford. </em>

<em>"The place has a reputation--a bad one." </em>

<em>"Cannibals?" suggested Rainsford. </em>

<em>"Hardly. Even cannibals wouldn't live in such a God-forsaken place. But it's gotten into sailor lore, somehow. Didn't you notice that the crew's nerves seemed a bit jumpy today?" </em>

<em>"They were a bit strange, now you mention it. Even Captain Nielsen--" </em>

<em>"Yes, even that tough-minded old Swede, who'd go up to the devil himself and ask him for a light. Those fishy blue eyes held a look I never saw there before. All I could get out of him was 'This place has an evil name among seafaring men, sir.' Then he said to me, very gravely, 'Don't you feel anything?'--as if the air about us was actually poisonous. Now, you mustn't laugh when I tell you this--I did feel something like a sudden chill. </em>

<em>"There was no breeze. The sea was as flat as a plate-glass window. We were drawing near the island then. What I felt was a--a mental chill; a sort of sudden dread." </em>

<em>"Pure imagination," said Rainsford. </em>

<em>"One superstitious sailor can taint the whole ship's company with his fear."</em>

It turns out that Rainsford will fall from the yatch and end up on the island, where he will be hunted by General Zaroff as if he were an animal.

5 0
3 years ago
(Can someone help me with essay its about how to kill a mockingbird)
maksim [4K]

Answer:

In To Kill a Mockingbird, children live in an inventive world where mysteries abound but little exists to actually cause them harm. Scout and Jem spend much of their time inventing stories about their reclusive neighbor Boo Radley, gleefully scaring themselves before rushing to the secure, calming presence of their father, Atticus. As the novel progresses, however, the imaginary threat that Boo Radley poses pales in comparison to the real dangers Jem and Scout encounter in the adult world. The siblings’ recognition of the difference between the two pushes them out of childhood and toward maturity—and as they make that transition, Boo Radley, their childhood bogeyman, helps serve as link between their past and their present. The games and stories Jem and Scout create around Boo Radley depict him as a source of violence and danger. However, though these inventions seem designed to prove the children’s braveness and maturity, they paradoxically prove that Jem, Scout, and their friend Dill fundamentally remain children. Their stories are gruesome, and the thrill of their games—such as touching the side of Boo’s house—comes from the danger they imagine they would face if Boo were to catch them. However, the children are able to indulge in wild imaginings and take what they perceive as risky chances only because they feel completely safe in the care of Atticus, who protects them from a dark, dangerous world. The threatening, menacing Boo thus remains firmly entrenched in their childhood worldview, where adults are infallible and all-powerful. When adult protection breaks down in the novel, Jem and Scout get their first taste of true danger, which is different from the imagined dangers they’d attributed to Boo Radley. The fire at Miss Maudie’s, Mrs. Dubose’s grisly death, and the violence and unrest that trails in the wake of the Tom Robinson case introduce real misfortune and anxiety into their lives. For the first time, adults are frightened and sad along with the children, and therefore cannot be counted on to provide security or refuge. Boo Radley, once such a threatening presence, now seems like a remnant of a more innocent time. The contrast between then and now seems all the more stark because Boo Radley remains in their lives, a constant reminder of how things had been before. Faced with real dangers, Jem and Scout must tap into new levels of maturity in order to deal with tragedy, new social challenges, and increased familial expectations. As their relationship with Atticus and the larger adult community changes, their relationship with Boo changes as well. Once just a creepy, mostly abstract figure, Boo begins playing a more active role in the children’s lives, first by protecting Scout with a blanket during Miss Maudie’s fire and then by protecting Jem and Scout from an attack by Bob Ewell. Boo had been an integral part of Jem and Scout’s childhood, and, in the midst of their burgeoning adulthood, he serves as a link between their past and their present. Once an imagined enemy and a source of perceived danger, Boo transforms into a true friend and ally, helping them at crucial moments in their transition from childhood to maturity. The children’s early perspective of “danger” centered on Boo Radley, and only by understanding the contrast between these imagined dangers and the real dangers of the adult world can they pass from childhood into adulthood. But the children’s shifting interactions with Boo points to another element of maturity as well: the capacity for empathy. Once simply an eccentric figure in the children’s games, Boo ultimately becomes a true human being to them—one who has endured more than his fair share of tragedy and deserves his fair share of honor, respect, and affection.

Explanation:

4 0
3 years ago
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ddd [48]
I went to poetryfoundation.org and read the texts.
A isn't correct because the rhyme scheme is AAAC.
B isn't correct because the rhyme scheme is ABABCC.
C isn't correct because the rhyme scheme is ABAC or ABAC in some cases.
D is correct because the rhyme scheme is AA BB CC DD...
Hope this helps!
5 0
3 years ago
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