During the medieval times, there was a time commonly referred to as the the Renaissance period; this was the period when Greek and Roman cultures were revisited. During this period, medieval philosophers looked into the ideas of Aristotle, who happened to be a famous figure of the Greco-Romano world. The ides borrowed from Aristotle were centered on "The One" and pursuing the meaning of Aesthetics. Aristotle described man as a “political animal”, and supplied <span>the framework for determining </span><span>who </span>might be considered a good person.
Aquinas, as well as other medieval philosophers, were greatly influenced by Aristotle's philosophy. Aristotle, for example, blends Aristotelian political philosophy with theology by putting forth the idea that God is "The One" that which produces laws and delivers justice. If Aristotle is said to supply a framework for determining who might be considered a good person, the Aquinas gave an explanation to why <span>one should be a good person.</span>
<h2>
Answer: a. communicative style: passive, aggressive, passive-aggressive and assertive </h2><h2>b conversation : conversation</h2><h2>
explanation: got it correct on a test </h2>
Answer:
Relaxation, action is a word of movement and relaxation is not doing anything
Answer:
B
Explanation:
they can just get ride of the cows if that is there sorce of money.
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In her "Letter to Napoleon III," Elizabeth Barrett Browning employs several rhetorical strategies to urge Napoleon III to forgive the author Victor Hugo and free him from his imprisonment.
Browning uses ethos when she presents herself as a fair person. Ethos refers to an appeal to credibility, and Browning employs it when she agrees with Napoleon about the wrong nature of Victor Hugo's actions. She also employs a paradox to force Napoleon to pay close attention to her argument. The paradox is that, even though Victor Hugo acted against the emperor, he deserves to be free. Browning employs anaphora when she repeats the phrase "what touches you" in order to convince Napoleon of the importance of his reputation. Finally, she uses pathos (an appeal to emotion) when she highlights how grateful and admiring Napoleon's subjects will be if he pardons Victor Hugo.
