A procedural question has to do with how-questions that show the process of how to perform a procedure.
<h3>What is a Declarative Question?</h3>
This refers to the type of question that requires a yes or no answer and has a rising intonation just right at the end.
Hence, we can see that your question is incomplete as it does not include any question, hence a general overview was given to you to have a better understanding of the concept.
Read more about procedural questions here:
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You could say:
Butterflies are beautiful insects that are often used to symbolize rebirth and the coming of spring.
OR
The existence of past lives and the rebirth of souls in our present day world is a debatable subject in many religions.
You need to provide all the pages of the article.
Answer:
The dinner Edna hosts in celebration of her new home is small and exclusive. Her guests include high-society friends from the racetrack, as well as Mademoiselle Reisz, Victor Lebrun, and, of course, Alcée. Adèle, who is unable to come because she is nearing
Explanation:
Edna is a trophy wife and Leonce’s home is a trophy house. To him, they are both only possessions that he wants all New Orleans to envy. The cut glass, the silver, the heavy damask
Answer:
Look for an example of a simile or metaphor within chapters 7-9 of The Autobiography of an Ex-Colored Man. Write the example in the space below, indicating the chapter it is from and what is being compared. What does this simile or metaphor do in the text? In other words, how does it help the reader?
A reader who has not been told that James Weldon Johnson’s The Autobiography of an Ex-Colored Man is a novel can be forgiven for not knowing how to classify it. When it was first published, anonymously, in 1912, the book included a preface from the publisher, written almost exactly as Johnson proposed, that described it as a “new picture of conditions brought about by the race question in the United States” (p. xxxiii). The preface suggests that what follows is a sociological study. But in the novel’s first paragraph, the unnamed narrator tells us that he is “divulging the great secret” of his life, moved by “the same impulse which forces the un-found-out criminal to take somebody into his confidence” (p. 1). This beginning prepares us for a confessional narrative such as those by St. Augustine or Jean-Jacques Rousseau. Exemplifying the capacity of novels to absorb other genres, The Autobiography of an Ex-Colored Man is a sociological study in terms of its analysis of the dynamics of race, class, and geography, and a confessional narrative, albeit a fictional one. But it is as a novel that Johnson’s book engages us most urgently, in that the story of its narrator’s life is ultimately a plea for the reader’s understanding.
