That's from Edgar Allan Poe.
Answer:
please can you indicate the options
Explanation:
By Jack Finney
Explanation by Gahna Arora
The Third Level Introduction
The Third Level by Jack Finney is about the harsh realities of war. War has irreversible consequences thus leaving people in a state of insecurity. It is also about modern day problems and how common man tends to escape reality by various means. In this story, a man named Charley hallucinates and reaches the third level of the Grand Central Station which only has two levels.
The Third Level Summary
The story revolves around a 31 year old man named Charley, who experienced something weird. One day after work coming from the Subway, he reached the third level of the Grand Central station (which doesn't actually exist). He reminisces the entire experience with his psychiatrist friend Sam. Charley thought he experienced time travel and had reached somewhere in the eighteen-nineties, a time before the world saw two of its most deadliest wars. As soon as he realised what time he is in, he immediately decided to buy two tickets to Galesburg, Illinois; one for himself and the other for his wife. Unfortunately, the currency used in that century was different. Thus, the next day he withdrew all his savings and got them converted even if it meant bearing losses. He went looking for the third level but failed to find it. It worried his wife and the psychiatrist Sam who told him that he is hallucinating in order to take refuge from reality and miseries of the modern world which is full of worry. Charley thus resorts to his stamp collection in order to distract himself when suddenly one day he finds a letter from his friend Sam who had gone missing recently. Sam wrote that he always wanted to believe in the idea of third level and now that he is there himself, he encourages Charley and Louisa to never stop looking for it.
I believe the correct answer is: The speaker describes his love as an earthy being.
In “Sonnet 130”, William Shakespeare describes his love as an earthly being, as opposed to the manners of Renaissance in which the loved ones were described as metaphysical, beyond natural beauty. Paradoxically, by showing his lover as pale in comparison to the sun, corals and snow, Shakespeare intensifies the power of his love towards her. Even if she isn’t celestial maiden, he still loves her.