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Vinvika [58]
3 years ago
14

You learned that the first camera was the pinhole camera. Explain what a pinhole camera is and what needed to be discovered befo

re the image could be recorded.
Arts
1 answer:
Alex_Xolod [135]3 years ago
8 0

Pinhole is basic camera without the lens and box shaped.

<u>Explanation:</u>

  • It is a simplest form of camera with a small aperture and without the lens.
  • It contains light proof box, a pinhole and a category of film.
  • Pinhole is a tiny hole which we made by the pin of aluminum foil.
  • It is used to capture the suns movement for a long time period.
  • It is used for the reason of artistic.
  • The production of real and image with inverted position which is lesser than the object.
  • Pinhole occluders is used by the orthoptists, optometrists, the visual acuity is tested.

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Early Renaissance composers usually didn't say what instrument they were writing a part for. They meant for the parts to be played by whatever was around. But around 1600 in Italy, the composer Claudio Monteverdi liked things just so. He knew just what instruments he wanted to accompany his opera Orfeo (1607), and he said exactly what instruments should play: fifteen viols of different sizes; two violins; four flutes, two large and two medium; two oboes, two cornetts (small wooden trumpets), four trumpets, five trombones, a harp, two harpsichords, and three small organs.

You can see that Monteverdi's "Renaissance orchestra" was already starting to look like what we think of as an orchestra: instruments organized into sections; lots of bowed strings; lots of variety. In the next century (up to about 1700, J.S. Bach's time) the orchestra developed still further. The violin family, violin, viola, cello, and bass, replaced the viols, and this new kind of string section became even more central to the Baroque orchestra than the viols had been in the Renaissance. Musical leadership in the Baroque orchestra came from the keyboard instruments, with the harpsichordist, or sometimes the organist, acting as leader. When J.S. Bach worked with an orchestra, he sat at the organ or harpsichord and gave cues from his bench.

In the Baroque era, a musical director occasionally stood and conducted, but not in the way we're used to seeing. Jean-Baptiste Lully, who was in charge of music at the French court in the 1600s, used to pound out the beat for his musicians using a sort of long pole, which he tapped on the floor. But once, he accidentally hit his foot, developed gangrene, and died!

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