Church restrictions on bodies: it was sinful for a person to be without clothing in front of an artist. To create realistic paintings, corpses were used.
Corpses were used as a model for the human body. Renaissance painters strove for realism and the corpse provided a realistic human image. An alive person would not be able to pose, in particular without clothing, for a painter. This would have been sinful.
Answer:
4. Rigid Class Structure
Explanation:
A feudal society has ranks, such as peasants, merchants, knights, and kings. Feudal societies were often replaced by industrialization, and did not experience rapid social change. In addition, most people below merchants could not read, which was the majority of people, contributing to a low literacy rate. However, feudal societies did have extremely rigid class structure that deemed rights as appropriate due to people's classes.
Answer:
Change and continuity marked belligerent societies’ norms and values during the First World War. Normative institutions such as marriage and the family proved basically resilient but “fatherlessness” propelled anxieties about unruly youth who asserted greater autonomy in terms of leisure and courtship. Non-marital relationships received pragmatic state recognition withheld before the war. Rhetoric of sacrifice and restraint, backed up by law, ordained norms for personal consumption, as seen in the regulation of alcohol and of sexuality, just as a coarse egalitarianism drove attacks on profiteering. The civilian-soldier distinction weakened with state-sanctioned repression of dissenters and anti-imperial revolts. Mass violence permeated societies and expanded the categories of expendable lives even if humanitarian mobilization salved some wounds.
Explanation:
Answer:
The main rationale for the invasion of Iraq was based on allegations by the American and British governments that Saddam Hussein was developing weapons of mass destruction and that he thus presented a threat to his neighbors and to the world
