Prufrock has all the normal desires of a young man, but he is ultimately incapable of doing anything. He is compelled to think everything through, but it doesn't help him at all. The thoughts just can't transform into actions, in part because he is afraid, in part because he lacks confidence, and in part because he can see no sense in all of it. He doesn't "dare disturb the universe" by asking "an overwhelming question". He is only capable of entering trivial, petty interactions with the world obsessed with material, "the cups, the marmalade, the tea, / <span>Among the porcelain, among some talk of you and me". This matter renders Prufrock's existence futile, and he is all too aware of it. His intelligence doesn't help him at all, because it locks him into a self-indulgent, passive world, rendering him aware of all the impossibilities.</span>
Five examples of questions:
Dost thou know who made thee? (from "The Lamb")
Little Lamb who made thee? (from "The Lamb")
What immortal hand or eye, Could frame thy fearful symmetry? (From "The Tyger")
In what distant deeps or skies,/ Burnt the fire of thine eyes? (from "The Tyger")
On what wings dare he aspire?/ What the hand, dare seize the fire? (from "The Tyger")
The tone of "The Lamb" is quiet. It asks the questions in a polite and gentle way. It is beautiful and innicent. On the opposite side, "The Tyger" has a tone full of fear and force.
