My guess would be each quatrain develops the problem of the poem and<span>the turn (volta<span>) comes at the beginning of the closing couplet.</span></span>
1. Douglass says that Covey´s "pious soul" adds to "his reputation as a ´ni.ger! -breaker'. It could be said that Covey might saver the consequences of his acts.
2. Douglass might find his strength after fighting Covey. It might help him discover his inner self and his power and desire to live and go on, to keep on learning as he used to do.
<span>In the story Wuthering Heights, Heathcliff suffers from the absence of Catherine in a painful way. Both seems to suffer the misery of their decisions and they seems to blame each other for taking them. This suffering could be portrayed in the following passage of the story when Catherine is almost dead:"Misery, and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will, did it. I have not broken your heart—you have broken it—and in breaking it, you have broken mine."<span> </span></span>
Answer:
Hope this helps!
Explanation:
In Act 2, Scene 1 of Othello, Iago formulates his plan to drive Othello mad. Shakespeare shifts the action from Venice to Cyprus. A storm has dispersed the Venetian fleet so that Cassio arrives first, anxious for Othello's safety. Desdemona arrives later with Iago and Emilia. The group wait, bantering on the topic of women. Iago notices Cassio's courteous manner towards Desdemona and resolves, 'with as little a web as this will I / ensnare as great a fly as Cassio'. Desdemona is relieved by Othello’s arrival and the joyful party depart, leaving Iago with Roderigo.
In this key passag), Iago persuades Roderigo that Desdemona loves Cassio. His speech plays upon stereotypes, revealing the dangerous underbelly of his earlier misogynistic ‘jokes’. His language is heavily ironic, repeatedly calling Cassio a ‘knave’, though we know this is the role Iago himself gleefully identifies with. As he reminds us in his following soliloquy, ‘knavery’s plain face is never seen till used'