The given conjunction in this sentence is in. It is coordinating which is a corr.
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What do you understand by coordinating conjunctions?</h3>
In a compound sentence, coordinating conjunctions that link the independent clauses include the words "for," "however," "and," and "but." They function similarly to conjunctive adverbs like "for example," "however," or "hence," which denote the evolution of thoughts. For, and, nor, but, or, yet, and so are the seven coordinating conjunctions in English. Coordinating conjunctions exist in four different varieties: Cumulative or Copulative Conjunctions, Adversative Conjunctions, Disjunctive or Alternative Conjunctions, and Illative Conjunctions. For signifies causation: "We left a day early, for the weather was not as clement as we had hoped."
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It contains exactly 14 lines. i just took the test
<span> a. The opposers would spook the elephants so that they would stampede backward over the advancing army.
The Romans used lots of different tactics against the War Elephants that Hannibal used. These include, but are not limited to:
- Use of spikes: These can be made from wooden or other materials. They are made so that the pointed side is facing upwards, and would skewer the elephant's foot when it stepped on it, leading to stampede, and later disorder of the army.
- Land: The Romans, after they found out how Hannibal's plan, used a different approach, such as choosing lands that are easier to defend against the elephants, as well as maintaining strategic points to easily deflect war elephant attacks.
These are just a few other ways that the Romans used to defeat Hannibals war elephants.
hope this helps</span>
Answer:
The first impact of the plague was, therefore, demographic. The lives they took in just seven years would take two centuries to recover, while the survivors would reorganize in a different way. During the epidemic years, the rural population had moved to the cities in search of food and company, and given the large number of vacancies left by the plague, they no longer had to return. The countryside was depopulated, while life in the cities was revitalized, driven by the concentration of fortunes that followed the high mortality. The old rural aristocracy, accustomed to living comfortably on incomes, finds two possibilities: lease their land at lower prices or exploit them directly, hiring producers and paying them higher and higher days. The stately power lost, therefore, part of its purchasing power, while the day laborers, regretful valuable due to their shortage, increased their well-being.
The shortage of arms and the rise of the bourgeoisie were decisive for the development of the technique, one of the hallmarks of the Renaissance, closely linked to the parallel advancement of science. Machines reduce the amount of force and work needed, and appear to serve a particular class, the bourgeoisie, which finds in them a concrete response to their needs. In the technical ascent an essential change of mentality prevails, since the manual work - the mechanical arts - was despised during the Middle Ages. Leonardo da Vinci claims it when he says: "In my opinion, the sciences that have not been born of experience, mother of all certainty, and that do not end in a definite experience, are vain and full of errors." Science and technique go hand in hand, and good proof of this are the calculations of the architect and sculptor Filippo Brunelleschi, prior to the construction of the dome of Santa María del Fiore, in Florence.
Explanation:
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