Answer:
Grover the satyr led Luke, Annabeth, and Thalia on a mission. They go way back because that was when they first arrived at Camp Half-Blood. The fourth character they are linked by is Thalia.
Explanation:
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Answer:
Tom and Nick stopped at the Valley of Ashes to met Myrtle Wilson, Tom's mistress.
Nick feels that he'd been forced to meet her and felt that Tom hadn't even told him beforehand or given him any choice to meet her.
Explanation:
F. Scott Fitzgerald's novel "The Great Gatsby" revolves around the story of Jay Gatsby and his lost American Dream. The novel also focuses on the themes of wealth, social class, love, appearance, and reality, etc. through the characters.
In Chapter 2, Nick recalls how Tom<em> "literally forced"</em> him to met Myrtle Wilson, his mistress. Tom felt that Tom's approach of his<em> "company (is) bordered on violence" </em>and that Tom had the<em> "supercilious assumption [...] that on Sunday afternoon I had nothing better to do."</em> This shows how Nick was unprepared and even maybe felt coerced to meet the woman, despite not expressing any desire to be acquainted with her.
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Answer:
C. The room is a former nursery with bars on its windows, emphasizing her treatment as a child/prisoner and thus the eventual break from her identity as a sane adult woman.
Explanation:
The short story<em> </em><em>"The Yellow Wallpaper"</em> by Charlotte Perkins Gilman is a feminist text which shows the constraints that women faced in their lives especially during the 19th Century. This particular text focus on the mental and physical health of women as regarded right by the 'men' or patriarchal society as a whole.
The room that the narrator and her husband had taken 'for the improvement of her health' is more like a cage. It was at the top of the house, a room with torn and dilapidated wallpaper, which was also a former nursery. It had bars and rings and things. She points out that <em>"the windows are barred for little children"</em>, which is significant for it emphasizes her treatment as a child/ prisoner. She had no control over the diagnosing of her 'illness' nor does she have control over the medicines she's to take. Everything is taken care of by her husband John.
Thus, the room that she and her husband took represents her treatment as a child/prisoner and thus the eventual break from her identity as a sane adult woman.
