Answer:
In order:
Mei Hatsume
Mirio Togata
Rumi Usagiyama
Toshinori Yagi (Better known as All Might)
Izuku Midoriya (Also known as Deku)
Explanation:
It’s shadows because it makes more sense
Answer:
No. Stella's first wish was to study medicine and he came for it in New York in 1896 to follow his older brother Antonio who was also a doctor.
Explanation:
Joseph Stella, a famous american futurist painter and artist was born in Italy in 1877 and was sent by his family who were in lawyer's bussiness, to America together with his brother Antonio, to study a medicine.
Stella discovered his art talent by refecting with his paintings and drawings on the 19th century expressionists and left medicine soon, making his progress very quickly towards a recognised artist. His first works included portraits, horses, bridges in expressionist manner.
He become famous with his series ' Black paintings' where he explored simple abstract monochrome forms.
Answer:
We cant answer since you didnt past a picture
Explanation:
Answer:
movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.