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The analysis of celebrity, celebrities and celebrity culture is one of the growth industries for the humanities and social sciences over the last decade. Psychologists warn us of the dangers of ‘celebrity worship’, sociologists interrogate young people about their personal expectations of fame, and even a discipline with as attenuated a relation to popular culture as literary studies now studies such things as ‘post-colonial celebrity’. The textual richness of celebrity culture is proving irresistible, and so the fetish for textual analysis that dominated so much of the 1980s has found itself right at home in the study of celebrity. But is this what we want from the study of celebrity? What are the approaches that are most needed, and which are likely to be the most productive for those of us in cultural and media studies for whom celebrity has become part of the heartland for the study of popular culture? This article will discuss some of the options, and in particular it will ask how we mThe analysis of celebrity, celebrities and celebrity culture is one of the growth industries for the humanities and social sciences over the last decade. Psychologists warn us of the dangers of ‘celebrity worship’, sociologists interrogate young people about their personal expectations of fame, and even a discipline with as attenuated a relation to popular culture as literary studies now studies such things as ‘post-colonial celebrity’. The textual richness of celebrity culture is proving irresistible, and so the fetish for textual analysis that dominated so much of the 1980s has found itself right at home in the study of celebrity. But is this what we want from the study of celebrity? What are the approaches that are most needed, and which are likely to be the most productive for those of us in cultural and media studies for whom celebrity has become part of the heartland for the study of popular culture? This article will discuss some of the options, and in particular it will ask how we might establish a stronger base for the study of the industrial production, as well as the audience consumption, of celebrity.ight establish a stronger base for the study of the industrial production, as well as the audience consumption, of celebrity.
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sorrry i dont now this answer
Photo journalism is so important because, especially with the changing technological state of our world, it’s a medium that can convey emotion the power of events or movements while also standing the test of time. It is also important because we live in a world with a lot of rumors and false media so photo journalism is a step in the direction of primary source and providing real evidence for events being reported on.
<span>1) True macro photography is calibrated close ups of subject to image ratios of 1:1, 1:2, 1:3 or 1:4.
2) The advantages is that you can shoot very close up, yet still be used as a conventional lens
3) Extension tubes allow you to focus close to a subject without spending the money for a macro lens. NO image aberrations are produced using them
4) Macro filters (called diopters) create a lot of aberrations, especially at the edges of the images
5) Flowers are accessible
6) It is important to know what each insect is that you shoot so you can identify them in the keyword you add to the image files metadata and some can be dangerous
7) Shoot insects early in the morning when it is cool. They will not move around too much, so are easier to compose in the cameras frame
8) Do this own your own.
9) I shoot macros as part of the photographic services I offer. They can be of gross specimens, stamps or coins, even jewelry
10) The challenges are getting enough depth of field, keeping the camera steady and maintaining precise image to subject ratios when required. Unless macro photography is indicated in the assignment, there is no special advantage or disadvantage to shooting macro photographs.</span>
