Assuming that you want this simplified...
Use the FOIL method and combine like terms:
And your final answer is: 
Although the Crusades are popularly viewed as religiously inspired campaigns to recapture the Holy Land, students should recognize them as a result of the social and economic events in Europe between 1000 and 1200. Religious and secular leaders seeking to end the fighting among feudal lords seized upon the Crusades as a means of redirecting that aggression. Feudal knights who would not be inheriting their family properties eagerly enlisted in the Crusades as a way to win wealth or status. The idea of the pilgrimage was a powerful one, and the Crusades were basically armed pilgrimages to the Holy Land. The various Crusades ultimately failed. The sack of Constantinople was a fitting denouement to the whole concept. The interaction with the East brought to Europe not only Arabic translations of Greek texts, but also original Arabic and Iranian scientific and philosophical works.
All focused on helping rural and working-class Americans. They also made it so that farmers would only work 8 hours instead of 10 or more. After 1894, Populists emphasized the demand for free coinage of silver rather than other goals, such as state-run railroads.
Answer: the answer is A. he gained wealth and bought a large amount of land
Explanation:
Ektara (Hindi: एकतारा, Bengali: একতারা, Nepali: एकतारे, Punjabi: ਇਕ ਤਾਰਾ, Tamil: எக்டரா; literally 'one-string', also called actara, iktar, ektar, yaktaro, gopichand, gopichant, golki Nepali: गोल्, gopijiantra, tun tuna) is a one-stringed musical instrument used in the traditional music of South Asia,[1] and used in modern-day music of Bangladesh, India, and Pakistan.[1] It originated in South Asia.[1]
In origin the ektara was a regular string instrument of wandering bards and minstrels from India and is plucked with one finger. The ektara is a drone lute consisting of a gourd resonator covered with skin, through which a bamboo neck is inserted. It is used in parts of India and Nepal today by Yogis and wandering holy men to accompany their singing and prayers. In Nepal, the instrument accompanies the singing of the Ramayana and Mahabharata.[2]
It has two forms. One form resembles a lute. To make that version, a bamboo stick (90cm long) is inserted through side of wooden bowl (called a "tumbo") and the top of the bowl is covered with deerskin. The instrument has a single string running from a peg at the top, down the length of the stick-neck, across a bridge on the deerhide soundboard, and is tied at the "spike" where the stick pokes through the bowl. The instrument's string is plucked with the musicians index fingernail.[3][2]
The other version uses a drum-like body, and a skin soundboard with a string attached (to bend the sound of the soundboard). Two bamboo lathes are attached to the side of the drumhead and the string goes from the soundboard to where the lathes meet. This version of the instrument may be played either by plucking the string or by tapping the drumhead. Squeezing and releasing the bamboo lathes puts pressure on the drumhead and bends the pitch up and down. This form is associated with the Bauls of West Bengal, as well as the Tharu people of Udayapur District, Nepal.
