The poem ends with an acceptance that pleasure cannot last and that death is an inevitable part of life. In the poem, Keats imagines the loss of the physical world and sees himself dead—as a "sod" over which the nightingale sings.
Three main thoughts stand out in the ode. The second main thought and the main theme of the poem is Keats' wish that he might die and be rid of life altogether, providing he could die as easily and painlessly as he could fall asleep. Hearing this the author doesn’t think that dying is going to be painful the author is hoping to make it easy as “falling asleep”
Hope I was help
Answer:
Assuming that Team Moon was the first exceprt, the answer would be the following:
The Team Moon excerpt is more emotional and dramatic than the NASA excerpt.
Explanation:
The correct answer is:
The Team Moon excerpt is more emotional and dramatic than the NASA excerpt.
This is because it contains very dramtic words and phrases, including, "panic-stricken, gut-wrenching, [and] heart-palpitating." This while what I assume is the NASA exceprt is very technical and does not exress any emotion whatsoever.
Answer:
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As nouns the difference between hail and arrows
is that hail is balls or pieces of ice falling as precipitation, often in connection with a thunderstorm while arrows is .
In the early 1930s, Lange, mired in an unhappy marriage, met Paul Taylor, a university professor and labor economist. Their attraction was immediate, and by 1935, both had left their respective spouses to be with each other.
Over the next five years, the couple traveled extensively together, documenting the rural hardship they encountered for the Farm Security Administration, established by the U.S. Agriculture Department. Taylor wrote reports, and Lange photographed the people they met. This body of work included Lange’s most well-known portrait, “Migrant Mother,” an iconic image from this period that gently and beautifully captured the hardship and pain of what so many Americans were experiencing. The work now hangs in the Library of Congress.
As Taylor would later note, Lange’s access to the inner lives of these struggling Americans was the result of patience and careful consideration of the people she photographed. “Her method of work,” Taylor later said, “was often to just saunter up to the people and look around, and then when she saw something that she wanted to photograph, to quietly take her camera, look at it, and if she saw that they objected, why, she would close it up and not take a photograph, or perhaps she would wait until… they were used to her.”