The correct answer is; David used smooth brushstrokes to enhance the lifelike quality of the figures; Delacroix used expressive brushstrokes to create drama.
Further Explanation:
Since there were no statements given and none I could find researching, I researched the artists and their differences. For the painting "Delacroix's Liberty Leading the People" Delacroix had used expressive brushstrokes that created drama to the painting. The painting was made to remember the Revolution of July that occurred in 1830. He was a leader in making the freely brushed colors prominent.
The painting "Neoclassical artist David's Oath of the Horatii" is one of the most successful paintings in the world. It was finished in 1784 and still on display today at the world famous "Louvre" in Paris. In this painting he used the smooth strokes and this made the figures in the painting appear to be lifelike. The painting is done with oil on canvas and looks like a picture of a real scene and not a painting.
Learn more about the Oath of the Horatii at brainly.com/question/1327242
#LearnwithBrainly
Answer:
Scientific theories are testable and make falsifiable predictions. They describe the causes of a particular natural phenomenon and are used to explain and predict aspects of the physical universe or specific areas of inquiry (for example, electricity, chemistry, and astronomy).
Answer:
Exposition, in other words, the "theme" section, of Britten's Young Person's Guide to the Orchestra by dragging over the numbers.
Explanation:
Hope this is the answer you're looking for! :)
During the medieval period, most music was considered sacred (holy) instead of secular (not holy, more for fun) because the Catholic Church was a main patron of the arts. The Church could afford to buy paper and other supplies to write down music which attracted many musicians. Also, most musicians were trained in the church. The music was usually made to please God. Not sure if this is complete enough, but I tried, hope it works!
His treatise on orchestration is still instrumental and widely utilized by composers and theorists. German composer, conductor most well known for his operas.