The incorporation of folk music into concert pieces, songs, and operas was part of a nineteenth-century trend called Nationalism.
<h3>
What is nationalism?</h3>
This is the identification with one's own nation and support for interest.
Nationalism is seen here as folk music is incorporated into concert pieces and songs where people identified and supported their own.
Read more about <em>nationalism</em> here:
brainly.com/question/1287645
Dallas wasn't the happiest so I think that breaking laws takes his mind off of things and helps him take out his anger
<h2>A. 1834-1896</h2>
The "Seaweed Wallpaper" was designed by William Morris in 1834-1896.
Explanation:
- William Morris (1834-1896), a British literary figure and designer who founded the British Arts and Crafts Movement, is best known for his "Seaweed Wallpaper". These were designed for Morris, Marshall, Faulkner and Company, the firm he started with his partners in 1861, and afterwards for Morris & Company. He designed fifty different block-printed wallpapers, each with elaborate, stylized patterns inspired by nature, especially British native flowers and flora. His Seaweed wallpaper and textile designs had a significant influence on British interior design, as well as the Art Nouveau movement in Europe and the United States.
THE SYMMETRY
The architecture was to express this concept through perfect symmetry, harmonious proportional relationships, and the translucent white marble facing which gives the purity of the geometrical and rational planning the desired unworldly appearance. The mausoleum is raised over an enriched version of the nine-fold plan favoured by the Mughals for tombs and garden pavilions.
A variant is used in the great gate. In the mausoleum the plan is expressed in perfect cross-axial symmetry, so that the building is focused on the central tomb chamber. And the inner organization is reflected on the facades, which present a perfectly balanced composition when seen from the extensions of the axes which generate the plan.
Bilateral symmetry dominated by a central accent has generally been recognized as an ordering principle of the architecture of rulers aiming at absolute power, as an expression of the ruling force which brings about balance and harmony, 'a striking symbol of the stratification of aristocratic society under centralized authority'. A symmetric grading down to the minutest ornamental detail, particularly striking is die-hierarchical use of colour. The only building in the whole complex entirely raced with white marble is the mausoleum. This hierarchic use of white marble and red sandstone is typical of imperial Mughal architecture !
<u>Question</u>:-
Why do we need to live? How to have a good live?
<u>Possible answers</u>.
(I) We live to know about things and have a experience has a member of this world, To have a good life we need money.
(2) We live to practice the sadness, happiness, emotional thoughts experience which lasts in our soul and mind, We need a good healthy to have a good live taking with good people and spending time in talking with good mates.
<u>My opinion:</u>
I choose the second one is better because thats the right, we need to have good experience and have a good life without any problems.
