Verb is a figure of speech that does action. In addition, a complete verb can include adverbials and prepositions. In this example, the action word is 'go'. But if we are talking about the complete verb, the answer should be 'will often go". This phrase altogether gives Sue not only an action, but also the frequency of the action.
Answer:
c correct me if i am wrong i am sorry if i was wrong
Explanation:
The Three Witches<span> first appear in Act 1.1 where they agree to meet later with</span>Macbeth<span>. In 1.3, they greet </span>Macbeth<span> with a prophecy that he shall be king, and his companion, Banquo, with a prophecy that he shall generate a line of kings.</span>
I would say A. Inflection because an inflection is a change to the form of a word to change its grammatical function
1. First, Shakespeare wrote his plays in blank verse featuring iambic
pentameter because that was the style of the day. Think of it as a way
for an author to show off--and it really is quite impressive if one
thinks about it. There are very few authors who can create characters
and plots as rich as Shakespeare's and write their lines in a consistent
meter.
2. Secondly (I think that this might be what you are asking), when
Shakespeare's characters speak in verse (iambic pentameter), they are
usually the noble (aristocratic) characters, and their speech represents
their high culture and position in society. If you simply look at one
of Shakespeare's plays, you can often tell when the commoners are
speaking because their lines will go from margin to margin (this is
true, too, of nobles who are acting like commoners--whether they're
involved in evil schemes, losing their minds, or are drunk!). In
contrast, Shakespeare's other characters' lines should sound and look
different to you--they should sound "sing-songy" and should look like
poetry with uneven lengths.
A good example of this is from Othello. When Iago is speaking to his
peers or to those in position of authority over them, his speech is in
verse, but when he is plotting and talking to Roderigo (especially at
the play's beginning), his lines are not in iambic pentameter--this
represents the bawdy nature of his speech and, in truth, the baseness of
his character.