Answer:
Unfortunately, you have not provided us with the text to refer to while answering this question. Therefore, we cannot help you. Please refine the question before asking. Thanks!
Explanation:
The correct answer would be B. Guilt because in Edgar Allan Poe’s “The
Tell-Tale Heart,” the beating of the heart that narrator hears is symbolic for
the guilt the narrator feels for having murdered the old man. Evidence of his guilt is presented early in
the short story by how the narrator tells us that he “had to do it” as if he
had no other choice, which seems to be a sort of defense mechanism to make
himself feel better about killing the old man.
Finally, it is within the presence of the police that the beating heart
only he hears is what makes him confess to the crime because it was getting too
great for him to bear any longer.
Hope I helped.
He read widely the end of the day was his favorite time to read
Answer:
Death and the King's Horseman isn't just about a clash of cultures—it's also about a clash of religions. Yoruba spirituality and Elesin's attempts to confront mortality and the afterlife are very much at the heart of the story, and Soyinka himself sees the spiritual dilemmas that the play presents as the key thing going on. The play definitely prompts us to think about different religions and customs and how they intersect and clash, dropping references to Islam and Christianity as well as lots of discussion of Yorubam religious practices.
Explanation:
By showing the richness of Yoruba traditions while simultaneously failing to show the British characters actively engaged in any kind of religion, Soyinka suggests the emptiness of British customs and religion.
