It's like picking baseball and describing it. How to practice, how to play what material/equipment you need... I hope that helps.
Answer:
Film is a universally understood language because, like reading, it brings the viewer to a new world. Throughout different genres of films you can find different forms of inspiration. A good musical will almost always make you want to sing. A touching romance will make you appreciate your partner more, or make you long for a true love of your own. A war movie can show you the brutalities of battle and show you the sacrifices people make for a cause. Horror movies make you afraid and teen culture shows, no matter how cheesy, always end up making you laugh. Film inspires because it connects to our emotions. Fear, love, sadness, anger, joy, sacrifice, and disgust. Emotions are felt by everyone, everywhere. That is how film connects us, through how we feel and that is how film is understood b everyone, everywhere.
Explanation:
The correct answer should be an Atlas.
Atlases are huge books filled with maps, most commonly political and geopolitical maps.
Answer:
I will try
Explanation:
Paragraph writing in fiction doesn’t follow traditional rules. Like storytelling itself, it is artistically liberated, and that liberation gives it the potential to contribute to the story’s aesthetic appeal. Paragraphs build a story segment-by-segment. They establish and adjust the pace while adding subtle texture. They convey mood and voice. They help readers visualize the characters and the way they think and act by regulating the flow of their thoughts and actions.
In this series, adapted from “The Art of the Paragraph” by Fred D. White in the January 2018 issue of Writer’s Digest, we cover paragraph writing by exploring different lengths and kinds of paragraphs—and when to use each one. [Subscribe to Writer’s Digest today.]
How to Write a Descriptive Paragraph:
Descriptive paragraphs enable readers to slip into the story’s milieu, and as such can be relatively long if necessary. Skilled storytellers embed description within the action, setting the stage and mood while moving the story forward. Here is an example from Douglas Preston and Lincoln Child’s The Lost Island, a thriller in which the protagonists hunt for a lost ancient Greek treasure on a Caribbean island, of all places:
