Answer:
Sodapop is happy-go-lucky, but caring and sensitive at the same time. He brings both Ponyboy and Darry together. He is almost like a unifying agent between the two brothers.
Answer:
My Tiktokerist foravito is someone who produces artistic and inspirational videos about literature. Because this is a subject of great interest to me, which motivates me, inspires me and promotes great knowledge, I am happy to see recommendations through well-produced and short videos, such as those that can be found in this Tiktokerist. In this case, I believe that the Tiktokerist is a good influence and that in a way it helps me to progress.
Explanation:
The paragraph above presents a reason to follow someone inspiring in TikTok, in addition to showing a good parallel structure through the sentence "which motivates me, inspires me and promotes great knowledge." Parallelism can be observed in sentences presented in sequence, with a similar grammatical construction and that promotes an orderly and well-balanced thinking for all of them.
Answer:
safe and travels pretty fast
Answer:
Donne uses the extended metaphor of a ‘city’ not only in ‘Holy Sonnet XIV’ but also in ‘Loves War’. In this Elegy which was written in Donne’s youth, he describes a ‘free City’ which ‘thyself allow to anyone’ – a metaphor for how anyone can enter a woman [ii] – and goes onto say how in there he would like to ‘batter, bleeds and dye’. Here, Donne is controlling the ‘city’ and taking over it himself, however, if Donne intended to use this same metaphor in ‘Holy Sonnet XIV’, the roles have changed and it now signifies how it is Donne who needs to be seized by God’s spirit. Furthermore, this represents how Donne’s life and therefore attitude has changed between writing these poems; he used to feel in control but now he is controlled.
The physical verbs that are used immediately sets the violent theme of the octave. The spondaic feet emphasizes Donne’s cry for God to ‘break, blow’ and ‘burn’ his heart so he can become ‘imprisoned’ in God’s power, creating a paradoxical image of a benevolent God acting in a brutal way. He uses a metaphysical conceit to explain how he is ‘like an usurp’d town’ with God’s viceroy (reason) in him. This imagery of warfare that pervades the sonnet symbolises his soul at war with himself; only if God physically ‘overthrow’s’ Donne and ‘batters’ his sinful heart will he be able to ‘divorce’ the devil. It was around the time of writing this poem that Donne renounced his Catholic upbringing which gives evidence to the assumption that the sin he was struggling with began to overpower his Christian beliefs and needed God become as real to him as God was to his respected Catholic parents. Furthermore, in ‘Holy Sonnet XVII’ Donne exclaims how ‘though [he] have found [God], and thou [his] thirst hast fed, a holy thirsty dropsy melts [him] yet. This reveals that Donne feels that even though he has found God, his yearning is not satisfied which gives evidence towards the assumption that he is crying out for spiritual ecstasy. This paradox between freedom and captivity was most frequently written about by most prison poets such as Richard Lovelace [iii] Donne wrote, ‘Except you enthrall me, never shall be free’ which implies the same idea as Loveless in ‘To Althea, From Prison’ that true freedom is internal, not external, symbolising his struggle with sin whilst he is physically free.
In the spring of 1846, a group of nearly 90 emigrants left Springfield, Illinois, and headed west. Led by brothers Jacob and George Donner, the group attempted to take a new and supposedly shorter route to California
