Answer:
Classical decomposition requires the study of the space the art takes place in, the color composition if applicable, the lines and flow of the work, the technique used, and the emotion and intellectual response it evokes. The space in which the art takes place could be the phsyical setting, the division of space in the work itself (common in paintings) and how it interacts with the space (negative vs. positive space.) The color composition is important in how the colors chosen relate to the work (or the lack there of). The lines and flow of the work tend to pertain more to visual works but anyone that has evaluated the artwork in automotive design know full well the importance of lines in the work. The technique is important especially in phsyical artwork such as sculpture and relief painting. This is also crucial in multimedia work and abstract sculpture. The last part, largely subjective, is what the work solicits from the viewer. Art without emotion could be argued ... isn't art. Andy Worhol explored this idea with pop art (cambell soup can anyone?) on what is the nature of art. Art is either everywhere (in your spoon, fork, stapler, etc.) or some rare thing (a painting by Raphel verus the macroni happy face the 4 year old did) and if it is a rare thing then what does the art have to convey? What elevates art from engineering then? This last part is solely the responsibility of the critic rather then the artist. An artist always sees their art as art, but what prompts the view to consider it art and what steps does the work take to make a believer out of the viewer.
Explanation:
did it help ?
To describe immigrants difficult experiences in America.
Answer:B, will you please arrive
Explanation:
I took the quiz and got it right
Answer:
They wish the speaker would choose a more reliable profession is the correct answer.
Explanation:
Answer:
The meeting in the place with no darkness between Winston and O'Brien was perceived as a place that Winston feels instantly that he recognizes this place.
Explanation:
The expression "the place with no darkness" is introduced actually into this excellent novel in Chapter 2 at the introduction, when Winston dreams of O'Brien, and is repeated at various other phases throughout the novel.
The impression of this phrase and dream is an indication that the future Winston Smith sees and how vital the part O'Brien will play in that future, even though it is in different way radically, from what Winston thought
Winston finally gets to the Ministry of Love, and meets O'Brien there in a place with no darkness, he immediately feels that he knows this place before now.
This is one of many ways that Orwell foreshadows the future in this novel and points towards its rather unrelenting close and grim.
