Predictions are statements about future events or data. It is a forecast that is often based on knowledge or experience.
<h3>What is prediction?</h3>
Prediction is an action of predicting something. it is act of stating what will happen in future.
Predictions are basically of two approaches:
- Situational plays
- Statistical based models.
Please note that this is an incomplete question, and so i helped by giving a general view on it.
Read more about <em>predictions</em> here:
brainly.com/question/25955478
Question 8 : A) pacing , given the fact that pacing is the literary technique which is a stylistic device, which shows how fast a story unfolds.
Question 9 : C) to build suspense , taking into consideration that the writer has used the above literary device to create a form of suspense.
THe present-day republican party is descended from t<span>he Federalists (of the late 18th early 19th century) party.</span>
What act is it talking about?
Commons
“How did Faulkner pull it off?” is a question many a fledgling writer has asked themselves while struggling through a period of apprenticeship like that novelist John Barth describes in his 1999 talk "My Faulkner." Barth “reorchestrated” his literary heroes, he says, “in search of my writerly self... downloading my innumerable predecessors as only an insatiable green apprentice can.” Surely a great many writers can relate when Barth says, “it was Faulkner at his most involuted and incantatory who most enchanted me.” For many a writer, the Faulknerian sentence is an irresistible labyrinth. His syntax has a way of weaving itself into the unconscious, emerging as fair to middling imitation.
While studying at Johns Hopkins University, Barth found himself writing about his native Eastern Shore Maryland in a pastiche style of “middle Faulkner and late Joyce.” He may have won some praise from a visiting young William Styron, “but the finished opus didn’t fly—for one thing, because Faulkner intimately knew his Snopses and Compsons and Sartorises, as I did not know my made-up denizens of the Maryland marsh.” The advice to write only what you know may not be worth much as a universal commandment. But studying the way that Faulkner wrote when he turned to the subjects he knew best provides an object lesson on how powerful a literary resource intimacy can be
