I agree with this statement because with media involved in his speech it would have less fact because media doesn't always have reliable information
Answer: Putting individuals convicted of crimes, especially violent crimes, in prison is thought to make the rest of us safer. But how much safety does all this imprisonment actually buy us? A study I recently published with colleagues shows the answer is very little, especially in the long-term.
The inference is that the time and place of this poem is the mudville town end of the 8th ending.
<h3>What is an inference?</h3>
It should be noted that an inference is the conclusion that can be deduced based on the information that are given by the author.
In this case, the inference is that the time and place of this poem is the mudville town end of the 8th ending. It should be noted that settings simply means the time and the place that a literary work took place. The place that was described is a stadium where the hometeam Mudville was playing a game of baseball against their opponent.
It should be noted that the imagery was also important in the poem. In this case, the use of imagery help establish the setting of this poem as it's important in the creation of a sense of rhythm in the story. It was also important in establishing the sense of anger and hopelessness. This can be seen through the reaction of the fans against the umpire.
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The night is deep and chill
<span>as in early autumn. Pitchblack, </span>
<span>it thickens after each lightning flash. </span>
<span>I dream of Hanoi: </span>
<span>Co-ngu Road ten years of separation </span>
<span>the way back sliced by a frontier of hatred </span>
<span>I want to bury the past </span>
<span>to bum the future </span>
<span>to still I yearn </span>
<span>still I fear </span>
<span>those endless nights </span>
<span>waiting for dawn. </span>
<span>Brother, </span>
<span>how is Hang Dao now? </span>
<span>How is Ngoc Son temple? </span>
<span>Do the trains still run </span>
<span>each day from Hanoi </span>
<span>to the neighboring towns? </span>
<span>To Bac-ninh, Cam-giang, Yen-bai, </span>
<span>the small villages, islands </span>
<span>of brown thatch in a lush green sea? </span>
<span>The girls </span>
<span>bright eyes </span>
<span>ruddy cheeks </span>
<span>four-piece dresses </span>
<span>raven-bill scarves' </span>
<span>sowing harvesting </span>
<span>spinning weaving </span>
<span>all year round, </span>
<span>the boys </span>
<span>plowing </span>
<span>transplanting </span>
<span>in the fields </span>
<span>in their shops </span>
<span>running across </span>
<span>the meadow at evening </span>
<span>to fly kites </span>
<span>and sing alternating songs.' </span>
<span>40 </span>
<span>45 </span>
<span>50 </span>
<span>55 </span>
<span>60 </span>
<span>65 </span>
<span>70 </span>
<span>Stainless blue sky, </span>
<span>jubilant voices of children </span>
<span>stumbling through the alphabet, </span>
<span>village graybeards strolling to the temple, </span>
<span>grandmothers basking in twilight sun, </span>
<span>chewing betel leaves' </span>
<span>while the children run- </span>
<span>Brother, </span>
<span>how is all that now? </span>
<span>Or is it obsolete? </span>
<span>Are you like me, </span>
<span>reliving the past, </span>
<span>imagining the future? </span>
<span>Do you count me as a friend </span>
<span>or am I the enemy in your eyes? </span>
<span>Brother, I am afraid </span>
<span>that one day I'll be with the March-North Army' </span>
<span>meeting you on your way to the South. </span>
<span>I might be the one to shoot you then </span>
<span>or you me </span>
<span>but please </span>
<span>not with hatred. </span>
<span>For don't you remember how it was, </span>
<span>you and I in school together, </span>
<span>plotting our lives together? </span>
<span>Those roots go deep! </span>
<span>Brother, we are men, </span>
<span>conscious of more </span>
<span>than material needs. </span>
<span>How can this happen to us </span>
<span>my friend </span>
<span>my foe?</span>