Answer:
"the strongbox is still safely hidden beneath a hollow stair. They’re alive, and the house is still standing. "
"when Mattie hangs Grandfather’s sword, there’s a sense that his role as protector of the house is being transferred to her."
Answer:
What examples does chapter 19 provide of characters practicing empathy
In this chapter Jem, Scout and Dill are the characters that practice empathy. When the trial of Tom Robinson was about to start, Jem, Scout and Dill snuck into the courtroom. They were not supposed to be there.
Which characters are able to ""climb into the skin"" of others and ""walk around in it""?
Boo Radley, Atticus Finch and Tom Robinson are all victims of prejudice, and all three characters are plagued by this.
How do they respond to others as a result?
It affects them all differently; crippling them and disabling them from acting as they wish
What are the consequences
These characters suffered due to the prejudice that they face. For instance, the first character Boo, is excluded and always kept away from society by his father who locks him up. It is obvious that Boo suffers from lack of socialization and in addition to his cruel father, he grows up to be an antisocial individual who is lonely. Atticus on the other hand has to confront a mob that is ready to kill Tom and he puts his life in danger. He also suffers the lack of approval by his fellow white folks. Furthermore, his looks have made the town to brand him as evil. This social discrimination makes him a victim because when he is claimed to be the one causing evil, the children, as well as adults, dislike him. He thus suffers emotionally.
Answer:
The correct option is 4) The author uses it to foreshadow the friendship at the end of the story.
Explanation:
After the conflicts escalates during the climax of the story and is resolved as the story concludes, it has given Colin a chance to know who his true friends are in the light of events that transpired. This way, the author provides a "happy ending" that a majority of the readers crave.
Answer:
Let's take one of the most influential and popular novels of the 21st century - George R. R. Martin's "A Song of Ice and Fire". This work is all the more appropriate to showcase the influence of Greek, Senecan and Elizabethan tragedies since the series have been turned into a critically acclaimed TV show.
Explanation:
These epic fantasy novels deal with a noble family, which is one of the prerequisites of all three types of tragedy we are dealing with here. Furthermore, many of the protagonists from the Stark family are the so-called "flawed heroes" - well-intended and principled people who often end up stranded (or dead) because of their terrible mistakes or oversights.
<u>One notable example of a tragic hero is the head of the family, Eddard Stark.</u> He is an honorable man who ends up betrayed and executed because he took part in the dangerous game of thrones yet refused to play by the dirty rules that would help him save his head and family. In a way, he would have his cake and eat it, which is of course impossible. Ultimately, his great pride and self-righteousness border on <u>hubris</u>, leading him to think that his perspective is the only right one.
There is also <u>Arya's complex and elaborate revenge</u> that's been carefully plotted throughout multiple volumes of the work. Having survived all the family turmoil, she embarks on a personal journey that will be anything but your conventional coming-of-age story. She will learn to fight, survive, and kill her enemies with great skill and imagination. Her bloodthirstiness is a true Senecan feature.
On the other hand, there are <u>Bran's prophetic dreams</u> about the Three-Eyed Raven. Through them, he gradually learns who he really is and how he can overcome his physical disability. These dreams are not just about his own predicament though. They also provide him with an insight into the terrible challenge the whole humanity is facing. Of course, these dreams are not using plain language but symbols and metaphors - just like the Delphi oracle in Greek tragedies.
