B.mali I’m not sure there is no box upbove
‘Rationing supplies’ and ‘planting gardens’.
Food rationing and Victory Gardens were big parts of the war to help the boys in service.
There are several different types of wind funnels, but the majority of them follow the same layout, which is that wind is collected in a large area before traveling through a smaller section, which condenses the wind and speeds it up.
2: lineage
groups
<span>
Lineage
groups served as the building block as of the African society. This is where
the group can declare their descendants, which has a common ancestry wither
real or imaginary. They could verify their ancestry through the use of lineage
groups and a sense of belongingness, hereafter. These were also the basis of
formation of linear groups which the cohesion of the different extended family elements.
</span>
Answer:
The 1930s were a period of intense artistic experimentation, as new forms and methods were explored, transformative cultural institutions were founded, and artists self-consciously sought to reach broader layers of the public. The rise of social unrest during the Depression heightened the political concerns of artistic works, while New Deal programs gave artists both federal recognition and the funding and space to work out new cultural forms. Technical changes, like the popularization of the radio, changed how accessible culture was and to whom, and an international break from formalism and modernism also worked to produce a popularized, socially conscious tendency in American art. During the Depression decade, Washington State, often seen as marginal to national art history, hosted some of the most innovative theatre, musical, and performing arts work in the nation, with sometimes global resonance.
It is one of the ironies of the Great Depression that the emblematic cultural institution of Washington State, the Seattle Art Museum, was created and privately funded during the darkest days of the economic crisis, when tens of thousands were losing jobs and homes. SAM was a gift to the city from art collector Richard Fuller and his wealthy mother Margaret Fuller. In 1931, they hired UW architect Richard Gould to design a museum sited in Volunteer Park and pledged much of their personal art collection to the city. The building, which now houses the Seattle Asian Art Museum, opened to the public in 1933.
Explanation:
