The paragraph of the excerpt in which the tension surrounding Mrs. Wessington's presence begin is in the third paragraph. (Option A). This question is about "The Phantom Rickshaw"
<h3 /><h3>What is the theme of The Phantom Rickshaw?</h3>
The theme of the above story is one that speaks to Betrayal.
The narrator, Jack, had an affair with Mrs. Agnes Keith-Wessington at Simla, but later dumped her and got engaged to Miss Kitty Mannering.
Mrs. Wessington, however, keeps popping up in Jack's life, pleading with him to change his mind and saying that everything was an error.
But Jack continues to shun her and doesn't want anything to do with her. Mrs. Wessington eventually passes away, much to Jack's relief.
But later on, he notices her old rickshaw and believes it has been purchased.
The rickshaw and the men hauling it suddenly pass through a horse, shocking him by exposing themselves to be ghosts carrying Mrs. Wessington's deceased spirit.
This causes Jack to become more unpredictable, which he attempts to hide by making up increasingly complex stories to allay Kitty's concerns.
Learn more about Mrs. Wessington:
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Full Question:
Select the correct answer.
In which paragraph of the excerpt does the tension surrounding Mrs. Wessington's presence begin?
A. paragraph 3
B. paragraph 7
C. paragraph 4
D. paragraph 1
Explanation:
true it's correct go for it bro
<span>The main purpose of an
eyewitness account is letter B. To tell a story<span>
<span>An
eyewitness is a person that has </span></span>actually <span>seen an act or </span>occurrence<span>. Thus, he can better give a firsthand account of
the </span>happening<span>. He is then capable of telling a genuine version
of the story because he has personally seen everything that has happened.
The rest of the choices are simply not the best answers. </span></span>
<u><em>Answer:</em></u>
<em><u>Explanation:</u></em>
Transcendentalism is an American artistic and philosophical movement of the mid nineteenth century, revolved around Ralph Waldo Emerson. Other critical visionaries were Henry David Thoreau, Margaret Fuller, Amos Bronson Alcott, Frederic Henry Hedge, and Theodore Parker. Emerson and Thoreau looked for this connection in isolation in the midst of nature, and in their composition.
Nature presently winds up specific: this tree, this fowl, this condition of the lake on a late spring night or winter morning turn into Thoreau's subjects. Thoreau is open. He gets himself "all of a sudden neighbor to" as opposed to a seeker of winged creatures ; and he figures out how to stay in a house that is no more and no not exactly a spot where he can legitimately sit. Thoreau discovers that he can have and utilize a homestead with more fulfillment than the rancher, who is engrossed with encouraging his family and growing his activities.
