Answer:
Answer to the first question: Reconstruction ended in 1877.
Answer to the second question: Orson Welles expected the audience to react with excitement and pleasure (Option A), but the public reaction was actually panic and chaos. When questioned, Orson Welles said he expected "nothing unusual" in the public reactions.
Explanation:
First question: Reconstruction is the period in U.S. history (1865–77) after the Civil War during which time the 11 states that had seceded the Union were admitted back into the Union; and it was also a time where many attempts were made to grant equality to the African American population and to undo the legacy of slavery. There were far-reaching changes in political life during the Reconstruction period. At the national level, new laws and constitutional amendments were instituted that changed the federal system and who qualified for American citizenship. In the southern states, there was a lot of activism in favor of building more viable and empowered black communities. Lawmakers passed the Thirteenth, Fourteenth, and Fifteenth Amendments to the Constitution and also forged the Civil Rights Act of 1866. During this period African Americans were allowed to vote and purchase land, seek employment and participate in public life like any other American citizen. Unfortunately, there were later reactions and pushback that began to re-instill the legacy of racism and encroach on the legal and social rights of African Americans again.
Second question: The War of the Worlds was a radio broadcast made in 1938 that has been made infamous because it tricked some of the listeners into believing an alien invasion was actually occurring. It used a "breaking news" format for storytelling in the first part of the broadcast that some did not realize was fictional. The program's use of a news-bulletin format by actor Orson Welles was criticized by many in the media in the aftermath of the public reaction. The story was based on the novel by H. G. Wells called The War of the Worlds (1898). The production team had changed the location names to American towns and cities for the radio broadcast while the original book was set in Europe (Gosling, 2009).
For We are the Champions (WATC):
Evidence 1: It’s more based upon self-focus, meaning “We are. the Champions”, “No Time for Losers”
For You Gotta Be (YGB):
Evidence 1: More based on a worldview, everyone working together, “You gotta stay together....love will save the day”
For WATC:
Evidence 2: This is more than anything not only a reflection on your troubled past but now how successful you are, “It’s been no bed of roses...you brought me fame and fortune...”
For YGB:
Evidence 2: From my analysis, it seems like a breakup, where you can see how “Lovers, they may cause you tears...don’t be ashamed to cry” can show that maybe it’s supposed to be something about getting over a breakup. I’m not entirely sure though.
**Try your hand at a third difference, I spent like five minutes looking. Sorry you might have to do a bit of work yourself .
Similarities:
1. They are both about achievement and about working hard at something. “And we’ll keep on fighting till the end” (WATC). “The world keeps on spinning, you can’t stop it if you try to”
2. Struggle is obviously present in both of these songs. “Try and keep your head up to the sky” (YGB). “I’ve paid my dues time after time” (WATC).
Hope this helps :)
Answer:
C) they can't make their payments.
Explanation:
Makes the most sense.
Answer:
In the space provided, write whether the verb in sentence is active voice or passive voice. Since the second century B.C., Indian women have worn saris.
Answer:
Like everyone, she walks on the ground.
Explanation:
According to the excerpt from Shakespeare's "Sonnet 130", he praises his mistress and makes her seem larger than life with his descriptions and allusions. He seems enamoured to her and treats her almost like a rare piece of art.
In line 12 however, he talks about his mistress treading on the ground when she walks and the best paraphrase for that is like everyone, she walks on the ground.
