Homophone, homograph, and homonym
The number 3 is everywhere in Dante Alighieri's Divine Comedy<span>. For one thing, the poem itself is structured according to the rhyme scheme terza rima, which uses stanzas of three lines that employ interlocking rhymes (aba bcb cdc, etc.). Additionally, there are nine circles of Hell (three multiplied by three), Satan has three faces, and three beasts (a lion, a leopard, and a wolf) threaten Dante at the beginning of the Inferno. There are many more examples of three, but the overall important thing to understand is that the number three largely governs the structure of Dante's poem. Indeed, you can think of the number three as the scaffolding on which the rest of the poem's content is hung. This number is significant because three is a central number in the Judaeo-Christian tradition, especially in terms of the Trinity (Father, Son, and Holy Spirit). As such, just as the whole of the Christian world is governed by a three-in-one God, Dante's poem is governed by the number three. Thus, Dante's obsession with the number three mirrors the prevalence of three in the Christian tradition. </span><span />
Answer:
J. Alfred Prufrock conjures up the image of a man who is struck with anxiety
Explanation:
J. Alfred Prufrock is an overthinker just by reading the poem. Through the authors use of the literary element "stream of conciousness" the idea of being trapped and stuck in your thoughts is evident in the poem, in how Prufrock often loses track of his thoughts and overthinks about even small things. The way he thinks shows his anxiety and the way he speaks about himself shows this idea.
My favorite color is black because it goes with every color, and black can express many emotions like sadness, anxiety, depression, loneliness, anger, and sometimes even lust.