Answer:
the "Extra! Extra!" section of the article is to bring the reader , buyer in and makes someone want to read it it makes it sound like its important and u need to read it now
Explanation:
Answer:
word march would appear between the marsh and match
Answer and Explanation:
The characters trying to change Huck are the widow Douglas and Mrs. Watson. They feel that Huck is rude, uncivilized and behaves like a savage and not like a white southern kid should act. They feel responsible for "fixing" him and preventing him from becoming an unworthy adult and outside the social standards desired by southern society.
Widow Douglas doesn't change all of Huck's clothes, forces him to church and school, and wants him to stop unbecoming childlike habits like smoking. She wants him to become a Christian gentleman. Mrs. Watson, on the other hand, doesn't like him to be illiterate and rude. She tries to teach him to read and wants him to adopt Christian behavior.
It should be noted that Huck is the main character of "The Adventures of Huckleberry Finn," a book that tells the story of Huck, an adventurous boy, who escapes from an inhospitable environment and lives many adventures, discovering new concepts, breaking prejudices and making friendships.
Answer:where's the passage how can I answer your question without the passage?.?
Explanation:
hi
Landscape with the Fall of Icarus" is a poem by one of the foremost figures of 20th-century American poetry, William Carlos Williams, first published in Pictures from Brueghel and Other Poems in 1962. The poem is a work of ekphrasis—writing about a piece of visual art—and is part of a cycle of 10 poems inspired by the paintings of 16th-century artist Pieter Bruegel (or Brueghel) the Elder. Both Bruegel's painting and this poem depict the death of Icarus, the mythological figure who died after flying too close to the sun, in a rather unusual way: in both works, Icarus's death—caused by a fall from the sky after the wax holding his artificial wings together melted—is hardly a blip on the radar of the nearby townspeople, whose attention is turned instead toward the rhythms of daily life. Tragedy is thus presented as a question of perspective, something that depends on how close one is (literally and emotionally) to the event in question.
