Chie is a matriarch figure, such symbol who can rule a society in which the power passes and vested from mother to daughter.
We know that Chie is a Japanese of samurai descent. She is raised with some samurai trainings. We can conclude that she is strong, brave, brilliant and independent.
However, Chie’s daughter, Etsuko was raised by a farming family but moves to America as a young bride. Her child adopts the perspective of an American concerning individual's choice.
Generations negotiate their identities in terms of each other and their society. These generations portray distinctive and useful method for constructing autonomy.
- you did not put any "statements", but i found a place where this was already answered.
answer:
the silt from the Euphrates and Tigris rivers created fertile soil that allowed farmers to plant year round.
credits: brainly.com/question/2405403
If you're trying to fill in the blanks, then the answers are already there. They are at the end of the each line.
Deists like <u>Thomas Jefferson and Benjamin Franklin</u> endorsed the concept of supreme being...
All the following are true of the Second Great Awakening except that it was <u>not as large as the first Great Awakening.</u>
As a revivalist preacher, <u>Charles Grandison Finney</u> advocated opposition to slavery...
... Baptists William Miller is least related to <u>Brigham Young, Book of Mormon, Salt Lake City, polygamy</u>
...angered many non-Mormons was their emphasis on <u> cooperative or group effort</u>
Tax supported public education was deemed essential for <u>social stability and democracy.</u>
...New England reformer <u>Dorothea Dix</u>...
...stemmed from the hard and <u>monotonous life of many</u>
...from the wave of <u>nationalism</u> that followed...
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Because the war in Europe was in a lot of Allied countries, for example France. They wanted to focus on the enemies that were at their front door first and posed the most imminent threat over Japan which was on the other side of the globe.
Answer:
Islamicate is a term invented by world historian Marshall Hodgson. At once precise and woolly, it invokes Islam—its past, present, and future—yet marks its influence as exceeding any creedal or cultural limits. It reflects a Muslim presence as both aesthetic taste and ethical project.