He was used to being made fun of.
We know this by him taking this reply in ‘with a sort of humble patience’. This means that he has experienced this kind of teasing - or even bullying before and he is used to it.
Answer:
Briefly explain what the mistake was, but don't dwell on it.
Quickly switch over to what you learned or how you improved, after making that mistake.
You might also explain the steps you took to make sure that the mistake never happened again.
Explanation:
The answer is
<span>It is the means by which we acquire basic knowledge of the world around us.
John was all about anti ignorance.
</span>
Answer: Phrases such as <em>"midnight dreary"</em>, <em>"bleak December"</em>, "<em>nothing more",</em><em> </em><em>"nevermore" </em>cast a dark shadow on the plot, and build the melancholic atmosphere.
Explanation:
<em>"The Raven"</em> is Edgar Allan Poe's poem, in which the narrator, mourning after his lover's death, is visited by a rather strange guest - the speaking raven.
In the poem, Poe uses various words and phrases, many of which are repeated multiple times throughout the poem. For instance, the word <em>"nevermore"</em>, the only word that the raven utters, is an answer to all the questions that the narrator asks. This word <em>contributes to the dark and melancholic atmosphere in the poem</em> - winter (December), darkness, middle of the night, the narrator who is all alone in his "chamber"... This setting is established at the very beginning of the poem, by the use of phrases such as <em>"midnight dreary"</em>, <em>"bleak December"</em>, etc. Moreover, Poe's repetition of the phrase <em>"nothing more"</em> as in <em>"Only this and nothing more,” "This it is and nothing more,” "Darkness there and nothing more"</em>, makes the atmosphere even more frightening. The author is assuring himself that there is "nothing", or, in other words, that he is imagining the sounds that he hears. However, even before the raven appears, we somehow know that there is something behind the chamber door.
As being used here, the asyndeton gives the reality that
the list of what is not on the island is endless or infinite. The anaphora adds
punch or climax, that nothing having to do with society can be seen. Not only that,
the list is not only endless, it is ardently void of anything.
