Gilda says: “The shows look at different aspects of textile art and what inspires the work.”She explains that her family “always had a sewing machine in the house” and by the age of 12 she decided to go to technical college to study wholesale dressmaki“My parents didn’t want me to end up working in a factory,“ Gilda recalls, “but I was obstinate and decided to do what I wanted to do.”At 15, Gilda was making sketches for bridal gowns. She went on to teach fashion, and 14 years ago started doing landscapes using batik, appliqué, plus hand and machine stitching.Gilda Baron<span>“I didn’t go to art school, so I didn’t consider myself to be an artist but people keep telling me my work is good, so I do think of myself as an artist now.”
That was all I could find.. hope to be helpful! =)</span>
Answer:
friend: how?
me: I'll tell you later *leaves*
Answer:
1. The technical rehearsal
2. The dress rehearsal
Explanation:
<span>Jenny Holzer emphasized the lines through a spiral ramp, this created a visual connection through the lines. The way that its connected, can be seen as a flow of the movement of the underlying structure. She changed the motion of the lines by using variation and playing with the structure.</span>
<span> <span> A symphony is a symphony. Beethoven's 3rd and 5th symphonies certainly influenced other composers, but symphonic structure itself hasn't been redefined. Symphonie Fantastique is a symphony in name only; likewise the Rustic Wedding Symphony by Karl Goldmark - very pleasing music, but not really symphonic. César Franck included a cor anglais in his D minor symphony, and one critic remarked that it wasn't really a symphony *because* a cor anglais was included. Adding a chorus and/or vocal soloists doesn't alter symphonic form.
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