1 This suggests that the problems in Johannesburg are not local and specific only to this large urban area, but exist elsewhere. More importantly, Paton suggests that these problems will continue to increase as urbanization continues in South Africa unless the changes he suggests are implemented.
2 The miners are unsatisfied with the working conditions, including the separation from their families and the unfair distribution of wealth from the mines. After the narrative voice says that all is quiet another voice retorts that only fools are quiet. This makes an interesting contrast with John Kumalo with his powerful voice, but lack of action and Arthur Jarvis and his eloquent letters. Both of these men use words but do not follow the words with action. Kumalo out of fear and Jarvis due to his untimely death. Paton could be making the point that words, regardless of how eloquently spoken or written, may begin change, but only action will ultimately bring about that change.
3 Jarvis provides milk to the children of the village. Jarvis begins to realize the predicament of the natives and how that predicament really involves all of South Africa, white and black. He realizes,like his son, that everyone must work together and that the native population must be educated, one of his son's goals.
4 <span>The novel thus ends on a note of hope: Kumalo awakes from a both a literal and a metaphorical darkness into dawn. Therefore, while Paton ends the novel with the question of when Africa itself will emerge from its metaphorical darkness, there is nevertheless the assumption that the emergence into a dawn is inevitable. The question of when this emergence from darkness will occur is the only question that Paton can now pose.</span>
Although we never learn exactly what changes Hamlet asked The Players to make in their script, it is almost certain that the changes included the dumb show portion that presents the Fellow pouring poison into the King’s ear as well as the lines about fidelity and widowhood. One aspect of the irony is that Hamlet requested the changes so he could watch Claudius’s reaction: to “catch the conscience of a king.” He later tells his step-father. Dramatic irony is simply giving the audience more information than another character has. When Gertrude says this, she is speaking to the audience, not another character. She is foreshadowing any negative consequences of another character's actions.
