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Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.[1] As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodies. Bebop groups used rhythm sections in a way that expanded their role. Whereas the key ensemble of the swing music era was the big band of up to fourteen pieces playing in an ensemble-based style, the classic bebop group was a small combo that consisted of saxophone (alto or tenor), trumpet, piano, guitar, double bass, and drums playing music in which the ensemble played a supportive role for soloists. Rather than play heavily arranged music, bebop musicians typically played the melody of a composition (called the "head") with the accompaniment of the rhythm section, followed by a section in which each of the performers improvised a solo, then returned to the melody at the end of the composition.
Some of the most influential bebop artists, who were typically composer-performers, are: alto sax player Charlie Parker; tenor sax players Dexter Gordon, Sonny Rollins, and James Moody; clarinet player Buddy DeFranco; trumpeters Fats Navarro, Clifford Brown, Miles Davis, and Dizzy Gillespie; pianists Bud Powell and Thelonious Monk; electric guitarist Charlie Christian; and drummers Kenny Clarke, Max Roach, and Art Blakey.
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Explanation: Hi!
Well it depends on what you would want to do. I would think it would be worth it to spend the extra money but it all depends on what you think. I feelthat a full-service restaurant would be nice in a while but as I said before, it all depends on what you do. :)
Have a Great day and good luck!
C I think not sure look it up.
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The correct answer is Francesco Borromini
Know as the baroque architect that eliminated the corners, Borromini (1599-1624) is one of the masters of Architecture, whose work is considered symbols of the Italian Baroque Expression. Together to Gian Lorenzo Bernini (1598-1680), he was responsible for many XVII century buildings in Rome and other Italian cities.
The Baroque Style is constantly labeled as dramatic and theatrical, which shapes avoid the strictness of the rules experienced during the Renaissance and Maneirims. In paintings, baroque artists wanted to exploit the narrative climax using sinuous lines in their composition. Borromini brought the curved lines to buildings' façades and architectural plans.
The serenity of the XVI century is replaced by the majestical use of columns, making possible even bigger and larger construction. Elements that were simply a straight line, in Borromini constructions are applied in elegant and sinuous choices. Even the statuary assumes movement, as we would be seen as a play in a theater.
Although dying in his 25 years-old, Borrini designed around 18 projects between churches, residences, and Saint Peter’s Baldachin located at the heart of that church and made entirely in bronze.
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One of the Classical Movements in Art History, the Baroque Style started in Italy and widely spread to Europe and even the Americas. Somo critics consider it as a counterpoint of the use of reason in Renaissance, as Baroque aims to exploit the observer’s emotions.
It’s a mark of the XVII century and was supported by the Pope’s Catholic Church, as na visual expression to attract new followers and restain the Protestant progress. This attempt was known as Counter-Reformation.
