Answer:
- The main themes in "The Veldt" are reality versus fantasy, technology, and consumerism. Realty versus fantasy: Though the environments the nursery recreates are not meant to be real in a tangible sense, the vivid sensory experiences enable violent impulses to take shape.
Explanation:
- Veldt” portrays a futuristic society in which things, especially consumer goods, have gained a life of their own. In the name of convenience and contentment, technology fulfills people's every need, reducing humans to passive beings who only eat, breathe, and sleep.
- What is the meaning of the phrase “'Children are carpets, they should be stepped on occasionally'” (Paragraph 131)? Parents should step on their children. Children should listen to their parents. Parents should discipline their children. ... They love it in the way that they should love their parents
The Veldt," Bradbury may have used the virtual lions to kill the parents to emphasize the serious dangers of technology. In much of Ray Bradbury's science fiction, there is an underlying distrust of technology.
The revision that would help expand the ideas in the excerpt is <span>adding more specifics about the sailors' beliefs about the island.
</span>The author just mentions their beliefs briefly, but doesn't really expand on that topic, which may be relevant further down in the text. This is why I believe that adding such details is important to include in this essay to make it more detailed and easy to understand.
Answer:
B
Explanation:
It overturned a compromise, and people might not trust compromises made in the future
It depends on what adaptations you're looking at but I'd say some significant differences across the board are the portrayals of the monster. In the books, the monster can speak eloquently and read as well while he mostly grunts and struggles with words in the movie adaptations.
Answer:
Both in appearance and position the house was a worthy counterpart of its owner. It was a substantial two-storey dwelling, planted firm and gawcey on a little natural terrace that projected a considerable distance into the Square. At the foot of the steep little bank shelving to the terrace ran a stone wall, of no great height, and the iron railings it uplifted were no higher than the sward within. Thus the whole house was bare to the view from the ground up, nothing in front to screen its admirable qualities. From each corner, behind, flanking walls went out to the right and left, and hid the yard and the granaries. In front of these walls the dwelling seemed to thrust itself out for notice
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