<em>Neither Carla nor Tim plays in the marching band </em>is the sentence with the correct subject-verb agreement.
Explanation:
In the context of linguistics, the term <em>agreement</em> refers to words changing their form in a certain way that depends on the other words to which they relate.
According to the subject-verb agreement, the verb and the subject must agree in number. This means that, if the verb is singular, the subject must also be singular, and the other way around.
An example of the correct subject-verb agreement is the sentence <em>Neither Carla nor Tim plays in the marching band.</em><em> </em>Even if there are two subjects in the given case, the verb is singular. When the subjects are both singular and are connected by the words <em>or, nor, neither/nor, either/or, </em>or<em> not only/but also</em>, the verb is also singular.
Sentence A is incorrect as <em>we</em> is a plural noun and should be used with the plural verb (<em>are</em> instead of <em>be</em>). Sentences B and C are similar. <em>Sisters</em> is plural, so instead of <em>plays</em>, the form<em> play </em>should be used. <em>Frogs </em>is also plural, and the correct form of the verb would be<em> croak.</em>
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I woukd chose the secend one
Here' the antidote to the Petrarch you just posted. This is far more realistic, wouldn't you say? Just list her qualities.
Let's start with the theme. The theme in the first 12 lines seems to be "How ordinary and plain she is."
Her eyes do not shine as the sun does [at mid day -- something other poets have noted many times about the women they love].
Her lips are not as red as coral. Do look that word up. Can you believe that anything that color would be classified as a deep orange!!??
Dun is sort of a tan color. It is the color of a very light tan. Her breasts are not an outstanding white -- another common analogy used by many poets. They are sort of well in need of a bath is as close as I can come.
I'm sure you get the idea. Most women would cringe at such descriptions. It almost sounds as an insult. We have negated hair, cheeks (not red as roses), the perfume that she uses, her breath (now we are getting personal), her voice (even though modified, perhaps by what she says).
By the end, any woman would be ready to throttle Shakespeare. He spends 12 lines talking about what she is not and spends 2 praising her. Do you believe him? I wouldn't. Not in a million, which does not mean it is not good poetry. It is. The detail is wonderfully covered. What he conveys is masterly done and his hands, mind and heart are not tied in knots. No false modesty for him. He calls the shot as he sees it.
The volta is in the last two lines where there is a turn of thought. (Volta means turn). The last two lines in Shakespearean Sonnets is the volta. I think that most of his sonnets contain a change in the last 2 lines.