Totalitarianism had risen after World War I because they want for their countries, which were burdened with vast amounts of war debts and were faced with the tedious task of rebuilding, to recuperate the soonest time possible. So, in order for them to achieve this, they need to take full control of the country's resources as well as the people through the use of terror and persecution to ensure forcible submission.
A Chinese emperor could remain in power as long as he followed the concept of the Mandate of Heaven and was a virtous leader. Having the mandate also meant he had the right to rule. The four principles of the mandate are 1.Heaven grants the emperor the right to rule. 2. Since there is one heaven, there can only be one emperor at a time. 3. The emperor's virtue determines his right to rule. 4. No one dynasty has the permanent right to rule.
Austrian-hungarians,Italy[later joined the triple entente in the first world war], Germany,
Answer:
The Romantic era of Western Classical music spanned the 19th-century to the early 20th-century, encompassing a variety of musical styles and techniques. Part of the broader Romanticism movement of Europe, Ludwig van Beethoven is often seen as the dominant transitional figure composers from the preceding Classical era. Many composers began to channel nationalistic themes more often, such as Mikhail Glinka, The Five and Belyayev circle in Russia; Frédéric Chopin in Poland; Carl Maria von Weber in Germany; Edvard Grieg in Norway; Jean Sibelius in Finland; Giuseppe Verdi in Italy; Carl Nielsen in Denmark; and Bedřich Smetana in what is now the Czech Republic.
A European-wide debate took place, particularly in Germany, on what the ideal course of music was, following Beethoven's death. The New German School—primarily Franz Liszt and Richard Wagner—promoted progressive ideas, in opposition to more conservative composers such as Johannes Brahms and Felix Mendelssohn.
Most were ape like and they were usually nomadic ( which means they were always on the go).
