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mixas84 [53]
3 years ago
5

Who scored the musical version of the movie that’s based on patricia resnick’s story?

Arts
1 answer:
Brilliant_brown [7]3 years ago
3 0
Dolly Parton scores the musical version of the movie based on Patricia Resnick’s story
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Rate my pencil drawings 1-10 please. Constructive criticism will be appreciated.
denpristay [2]

Answer 10

Explanation: It looks really good man

3 0
3 years ago
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In contrast to the consistently bright and flattened colors on the left side of the work, the right side is composed of only bla
Vera_Pavlovna [14]

The correct answer to this open question is the following.

Although there are no options attached we can say the following.

In contrast to the consistently bright and flattened colors on the left side of the work, the right side is composed of only black-and-white images of varied values, suggesting that the artist not only wished to emphasize the process used but also was "intrigued by the actress recent death."

We are talking about the famous Marilyn Monroe's portrait created by famous pop artist Andy Warhol.

In this particular piece of work, Warhol uses repetition of Marilyn's photographs in the canvas, trying to differentiate his work from past paint approaches in the distribution of color. Warhol tried to immortalize the iconic figure of actress Marilyn Monroe, one of the most popular figures in the history of the United States.

Andy Warhol (1928-1987) was an iconic American Pop artist who led the Pop movement in New York, in the 1960s. In 1964, he inaugurated his famous art studio called "The Factory," where he made his art exhibitions.

8 0
3 years ago
Caravaggio's chiaroscuro technique inspired many painters of his generation. What was this technique? dramatic use of design and
SVETLANKA909090 [29]
Chiaroscuro is a dramatic use of light and shadow.
6 0
3 years ago
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░░░░░░░░░░░░░░░░▄▄▄███████▄▄░░░░░░░░░░░░
Dmitry [639]

Answer:

BOIO WHAT . DA HELL BIO

Explanation:

BOII WHAT DA HELL BOI

8 0
2 years ago
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Compare and contrast the paintings by Caravaggio and Jacob van Ruisdael. Both of these artists painted during the Baroque period
tigry1 [53]

Answer:

Explanation:

Van Ruisdael specialized in landscape painting and never really digressed from this art genre. He never painted human figures, even the minuscule ones that are present in his landscape and town images. Instead van Ruisdael would ask other artists, most probably from his studio in Amsterdam, to fill in the human figures in his works for him.

In his early years in Haarlem Jacob van Ruisdael painted the natural dunes around his city and the flat woodland. His early offerings show an intense affiliation to nature and the solitary structure and objects against nature's great vastness. This was naturally due to the influence of his uncle, Salomon van Ruysdael, who used solitary objects to create new dimensions and concepts in composition.

Jacob van Ruisdael was also influenced by other fellow Haarlem painters such as Jan van Goyen, Pieter de Molijn, Hercules Segers, Jan van de Velde and Claes Jansz. These artists were deemed 'tonal painters' and despite van Ruisdael's use of strong local color, it is evident that he was inspired by the restrained palettes of these painters.

In his early works, pine forests, waterfalls and stormy skies featured heavily and van Ruisdael's fascination with trees in particular is evident in paintings such as the Landscape with a House in the Grove.

During the 1650s, Jacob van Ruisdael visited Germany and absorbed himself in the natural wonder of the northern landscape and hemisphere. He developed a keen interest in the rugged mountain planes, craggy lands and old abandoned structures. It was here that he drew most inspiration for his later works whereby he created Nordic images of landscapes entirely from memory. The artist's subject matter was not original but rather his interpretation and execution of it was. He was able to add something new to his strongest work; a moral and psychological significance that was appreciated by later generations in particular.

Van Ruisdael's landscapes always conveyed a gloomy, placid atmosphere evoking solitude and dark emotions. Furthermore, his paintings always instilled an overwhelming silence that is best understood through emotions rather than words.

However, his images were not as intense as those of his followers. They were not loud but rather passively elevated the viewer's psychological state. His connection to oncoming storm clouds came to symbolize the oncoming of human emotions and moods. Van Ruisdael used his work to assign personalities to the trees and structures of nature that he presented.

6 0
3 years ago
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