Answer:
The Giver ends with Jonas’s rejection of his community’s ideal of Sameness. He decides to rescue Gabriel and escape the community, and they grow steadily weaker as they travel through an unfamiliar wintery landscape. At the top of a hill, Jonas finds a sled and rides it down toward a community with lit windows and music. Lowry does not confirm whether the two survive, because the reader can either interpret the sled as a hallucination of Jonas’s dying mind, or as a fortunate coincidence. Upon first seeing the top of the hill, Jonas believes that he remembers the place, and it is “a memory of his own,” as opposed to one from the Giver. Because Jonas doesn’t have his own memories of snow, the meaning of this sentence is not obvious. This confusion could signify Jonas’s deterioration. However, Jonas may also recognize that the hill and sled signify the presence of a community that allows for sleds and snow. Jonas calls his destination “Elsewhere,” an ambiguous term because the community uses it both to refer to places outside the community and the destination of people who have been “released,” or euthanized. Additionally, the reader cannot take the lights Jonas sees in the windows at face value. Light symbolizes hope, but people also often talk about seeing light right before death.
Explanation:
does that work or do u need more
Answer:
Author. "Title." Title of author, Other contributors (translators or editors), Version (edition), Number (vol. and/or no.), Publisher, Publication Date, Location (pages, paragraphs and/or URL, DOI or permalink). 2nd container’s title, Other contributors, Version, Number, Publisher, Publication date, Location, Date of Access (if applicable).
Explanation:
The reaction to Moshe the Beadle's story is one of rejection with being dismissive. The Jewish individuals of Sighet essentially negate his story. Their rationales are not openly asserted, but are clearly present.
D is the correctly punctuated Sentence
Answer:
dialogues and descriptions
In a working fiction, best place to look for supporting details that indicate the theme of fiction is in dialogues and descriptions. A dialogue is a literary technique in which writers use two or more characters participating in conversation with one another.
