It would be the last one I believe since it might be last tense
Answer:
If your options are:
A. The poem uses variations of meter to affect rhyme.
B. The poem’s sentences flow across stanzas.
C. The poem’s stanzas have varying lengths.
D. The poem uses nontraditional syntax and rhyme scheme.
Then the answer is D.
Explanation:
The nontraditional syntax is best shown in the use of enjambment - interrupting the thought and syntactic structure in the middle and moving the rest to the next line. For example: "and older than the // flow of human blood (...)"
Here, the definite article "the" has been separated from the noun "flow", which means the phrase is visually broken in half.
- A isn't true because this poem conveys its meaning through rhythm and not rhyme. There are virtually no rhymes here and the syntax (sentence structure) is disrupted, invoking the sound of a river flowing in irregular but consistent waves.
- B isn't true because the sentences do flow across lines but not across stanzas.
- The stanzas do have varying lengths. But even though this element was pretty rare prior to the 20th century, it is not exclusive to modernist poetry. That's why C isn't true either.
It is the assumption or admission that two or more groups, individuals, or ideas of groups or individuals, are equal, of equal value, or both true.
The answer to the given question above would be option C. Throughout ”Letter from Birmingham Jail,” King returns to the idea of tension as a necessary and positive component of the civil rights movement, and King develops this theme by claiming that <span>tension can be a beneficial, creative force for change and improvement in society. Hope this helps.</span>
