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Root position of the C major chord is C-E-G. To form the first inversion of this chord, instead of C being your lowest note, you make it the highest note in the chord. Therefore, E becomes the lowest note, G is in the middle and C is played an octave higher. The C major chord in its first inversion is therefore, E-G-C.
Explanation:
The Tower, by Robert Delaunay
The cubist artist Robert Delaunay was fascinated by the Eiffel Tower, and during his life he painted the famous French tower time and again, as you can see below:
Robert Delaunay
The Tower
(1911) (inscribed 1910)
Ink and pencil on paper
21 1/4 x 19 1/4" (53.9 x 48.9 cm)
The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund
As the world’s tallest monument at the time, the Eiffel Tower was for Delaunay a symbol of both modernity and masculinity, and he depicted it time and again. He was among the first artists to focus on this Parisian landmark as a subject. Rather than represent the Eiffel Tower from one view, Delaunay’s drawing uses rhythmically placed lines and patterns to capture his experience of the tower from multiple perspectives.
The drawing is an example of Delaunay’s engagement with the dynamic architecture of Paris at the turn of the 20th century. The Eiffel Tower was just one of the exciting public projects undertaken during an era that would later be described as the Belle Époque (French for “beautiful era”). In comparison to the horrors of World War I that would follow it, the Belle Époque was a time of peace, invention, and intense art production for France and its neighbors.
Answer:
True but it also depends on how much black you use and what quality of paint you have
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The lamb lies down on Broadway
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Hope this helped
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One of the four leading Old Masters of the 16th century German Renaissance - the others being Albrecht Durer of Nuremberg, Matthias Grunewald of Mainz, and Lucas Cranach the Elder of Wittenberg - Holbein dominated portraiture in Switzerland and England during his day, proving himself a worthy successor to earlier Northern Renaissance artists of the Flemish School under Jan van Eyck and his follower Petrus Christus. Born in Augsburg, Holbein was active first in Basel (1515-26) and then London (1526-28), before returning to Basel for four years (1528-32) in order to maintain his citizenship. Soon after his return to Basel, he bought a house in St Johanns-Vorstadt with the proceeds of his London commissions. Unfortunately, the iconoclastic fallout from Luther's Revolt was beginning to have its effect. Demand for fine art - other than propagandist Protestant Reformation art - was at an all-time low. Fortunately, perhaps due to his return from England, Holbein retained the confidence of the new City Council. He was asked to complete the mural paintings for the Council Chamber of the Town Hall, which he had helped to initiate in 1519, although the new Lutheran regime obliged him to use Old Testament themed Biblical art for the murals instead of the previous mythological themes, as before. He also did private work for former clients like Jakob Meyer, including some altarpiece art and portraiture. It was also during his stay in Basel that Holbein painted The Artist's Family (his wife Elsbeth Schmid, with their two eldest children, Philipp and Katherina) (1528, Kunstmuseum Basel). In the Spring of 1532, almost certainly due to a lack of patronage, Holbein said goodbye to his family and set off back to London.
Holbein's initial commissions during his second and final stay in England, included a number of portraits of Lutheran merchants of the Hanseatic League, the commercial confederation of merchant guilds active in cities along the coast of the Baltic and the North Sea. In London, the Hanseatic merchants lived around the Steelyard, a complex warren of storehouses, offices, and dwellings on the north bank of the Thames. Located south of Cheapside, this Hansa area boasted its own guildhall, weighing house, chapels, and counting houses, and formed the largest single medieval trading area in London. To facilitate his sitters, Holbein rented a house in nearby Maiden Lane as a studio. His two greatest portrait paintings of Hanseatic merchants were the portrayals of Georg Gisze of Danzig and Derich Berck of Cologne. In addition to portraiture, Holbein completed two large-scale works of mythological painting for the guildhall of the Steelyard, as well as a large piece of street art for Anne Boleyn's procession through the city on 31 May 1533, the eve of her coronation.
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