Answer:
Beginning with Augustus, the emperors of the imperial period made full use of the medium’s potential as a tool for communicating specific ideologies to the Roman populace.
The drawing surface would be delineated using gridded guidelines, snapped onto the wall using string coated in red pigment dust (very much like chalk lines used by modern carpenters). This grid helped the artists properly proportion the figures and lay out the scenes. Scene elements were drafted out using red paint, corrections noted in black paint, and then the painting was executed one color at a time. Even on carved relief, many elements in a scene would be executed only in paint and not cut into the surface. The drawing surface would be delineated using gridded guidelines, snapped onto the wall using string coated in red pigment dust (very much like chalk lines used by modern carpenters). This grid helped the artists properly proportion the figures and lay out the scenes. Scene elements were drafted out using red paint, corrections noted in black paint, and then the painting was executed one color at a time. Even on carved relief, many elements in a scene would be executed only in paint and not cut into the surface.
Option A is the right answer
I believe the correct answer is B. scene from everyday life.
The Pre-Raphaelite movement opposed the British Royal
Academy, which championed a narrow range of idealized or moral subjects and
conventional definitions of beauty drawn from Renaissance and ancient classical
art. The artists of this movement were inspired by the centuries preceding the
Italian High Renaissance and they depicted nature and the human body realistically.
Some of the examples of this movement are: “The Lady of Shalott” by John
William Waterhouse and “Ophelia” by John Everett Millais.
