They are significant because of the impression of capturing the likeness of specific individuals.
<h3>What was special about German Art?</h3>
From the oldest known work of figurative painting to its present production of modern art, German art has a long and illustrious legacy in the visual arts.
Germany has only had one state since the 19th century, and establishing its borders has historically been a challenging and unpleasant process. German art from former eras frequently includes works created in German-speaking countries and territories, such as Austria, Alsace, much of Switzerland, and towns or regions to the east of the current German boundaries.
German art has been vital to the evolution of Western art, particularly Celtic art, Carolingian art, and Ottonian art, although tending to be overlooked in comparison to Italian and French contributions from the perspective of the English-speaking world. For the remainder of the Middle Ages, France and Italy took the lead in the development of Romanesque art, but the creation of an increasingly affluent Germany remained crucial.
Albrecht Dürer served as the German Renaissance's prominent character and the country's early dominance of printing originally controlled the German Renaissance, which grew in rather different ways from the Italian Renaissance.
For more information on Art, refer to the following question:
brainly.com/question/26036373
#SPJ4
Answer:
Explanation:
Leonardo’s fascination with anatomical studies reveals a prevailing artistic interest of the time. In his own treatise Della pittura (1435; “On Painting”), theorist Leon Battista Alberti urged painters to construct the human figure as it exists in nature, supported by the skeleton and musculature, and only then clothed in skin. Although the date of Leonardo’s initial involvement with anatomical study is not known, it is sound to speculate that his anatomical interest was sparked during his apprenticeship in Verrocchio’s workshop, either in response to his master’s interest or to that of Verrocchio’s neighbor Pollaiuolo, who was renowned for his fascination with the workings of the human body. It cannot be determined exactly when Leonardo began to perform dissections, but it might have been several years after he first moved to Milan, at the time a centre of medical investigation. His study of anatomy, originally pursued for his training as an artist, had grown by the 1490s into an independent area of research. As his sharp eye uncovered the structure of the human body, Leonardo became fascinated by the figura istrumentale dell’ omo (“man’s instrumental figure”), and he sought to comprehend its physical working as a creation of nature. Over the following two decades, he did practical work in anatomy on the dissection table in Milan, then at hospitals in Florence and Rome, and in Pavia, where he collaborated with the physician-anatomist Marcantonio della Torre. By his own count Leonardo dissected 30 corpses in his lifetime.
Elizabeth Liones totally from seven deadly sins
