The Epic of Gilgamesh, despite many fictional or fantastical elements, is actually grounded in history. Gilgamesh appears as the king of Uruk in the Sumerian king lists. He was a real king and Uruk was a real city.
The first thing we learn is that Mesopotamian religion was polytheistic and anthropomorphic. There were many gods and goddesses, and they had the appearance and character of supernaturally powerful and immortal humans, albeit ones still bearing some association with primal natural forces. The gods mated with each other, had children, and were capable of interbreeding with humans, giving rise to heroes. The gods demanded respect and worship from humans and had an interest in regulating human ethical behavior. They were especially concerned with kings, who were tasked with serving as conduits of divine justice. In the story, we see the evolution of Gilgamesh from unjust to just king and the way the gods enforce the notion that the duty of a king is to deal justly with his subjects, something we also see in Mesopotamian law codes.
We also see a highly stratified society with vast differences in wealth and power determined largely in a hereditary manner. There are also quite distinct gender roles, with women generally subordinate to men. We also see a society that is quite warlike, and which admires physical strength and military skill. The society is also quite sophisticated for its period, showing evidence of urbanization, literacy, and a complex conception of justice. The urban center relies on surrounding agricultural areas for food production.
Explanation: According to the context of the previous statement, the most probable meaning of the word permeate would be "saturated"; since the meaning of the word permeate is the action of penetrating a body or passing through it. In the previous text the cotton clothing is soaked with water, this means that the water permeated and penetrated the clothes, to the point that it could saturate it with this liquid.
Animal Farm was published on the heels of World War II, in England in 1945 and in the United States in 1946. George Orwell wrote the book during the war as a cautionary fable in order to expose the seriousness of the dangers posed by Stalinism and totalitarian government.
