Answer:
poems, podcasts, articles, and more, writers measure the human effects of war. As they present the realities of life for soldiers returning home, the poets here refrain from depicting popular images of veterans. Still, there are familiar places: the veterans’ hospitals visited by Ben Belitt, Elizabeth Bishop, Etheridge Knight, and W.D. Snodgrass; the minds struggling with post-traumatic stress in Stephen Vincent Benét’s and Bruce Weigl’s poems. Other poets salute particular soldiers, from those who went AWOL (Marvin Bell) to Congressional Medal of Honor winners (Michael S. Harper). Poet-veterans Karl Shapiro, Randall Jarrell, and Siegfried Sassoon reflect on service (“I did as these have done, but did not die”) and everyday life (“Bank-holidays, and picture shows, and spats”). Sophie Jewett pauses to question “the fickle flag of truce.” Sabrina Orah Mark’s soldier fable is as funny as it is heartbreaking—reminding us, as we remember our nation’s veterans, that the questions we ask of war yield no simple answers.
Explanation:
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Answer:
African art has as its main influence religion, functionalism and utilitarianism. Depending on the region, one of these influences may be stronger than the other, sub-Saharan Africa, for example, the art that is most influenced by religion, probably because of the social and economic difficulties they face, which make artists connect more with religion as a way of supporting national problems. The areas where these problems are not so prominent, usually have greater influences on utilitarianism and functionalism, probably because artists have more access to concepts, techniques and information.
African societies place a lot of importance on art because it is a way of externalizing feelings and promoting criticism. This is very strong in this region that was so scrapped and exploited by other nations that it caused problems that can still be seen today in these societies.
