Answer:
This is usually something you would answer in like a personal view
You write how you feel when you look at a color.
Here's a answer template-
When i look at the color(s) ______ i feel very _______. While I look at these colors i feel _______. *And add any more info*
Explanation:
My answer would be:
When I see the colors green, yellow and blue together I feel indulged in nature, I can almost see the painted trees, the grass, the chirping insects, the breeze. While when I see the color red, yellow, and orange, I feel warm, comfortable and safe. These colors make me see that the world isn't plain and simple but help me feel okay with that.
i hope that i helped
Answer:
I can help you if you really need it!
TheAnimeCatUwU
To instruct the performer to start softly, get suddenly loud, and then allow the sound to fade, from loud to soft, the composer would use the following marking: <em>p f ></em>
The question above relates to dynamics and changes in music.
<h3>What do the dynamic markings represent?</h3>
- <em>p</em> or <em>piano </em>means "soft"
- <em>f</em> or <em>forte </em>means "loud"
Dynamics refer to the volume of a sound or note. It is also applied to the musical notation that is written or printed, used to show dynamics. It is important to note that volume levels are relative, that is dynamics are relative are do not define specific levels of volume.
See the link below for more about dynamics in music:
brainly.com/question/75606
Answer:
These are 6 different acting techniques that have been in use for decades.
See explanation below
Explanation:
Meisner’s Technique:
This technique uses truthful story telling to convey the scene.
Practical Aesthetics:
In this technique, the character is more script centered than character centered.
Lee Strasberg’s Method Acting:
This technique uses emotional memory to emote a scene.
Chekhov’s Psychological Gesture:
This technique uses psycho-physical analysis to develop a gesture that is symbolic of the character.
Stanislavski’s System:
This technique brought about a worldwide change from over the top acting to realistic emoting.
Viola Spolin:
The easy-to-learn theoretical training exercises helped free an actor’s inhibition.
