to Kill a Mockingbird," Boo Radley, who has been a recluse for the last fifteen years, captures the imagination of the children. In Chapter 5, Jem and Dill attempt to send a message to Boo by tying it to a fishing pole, then casting it toward his window. However, Atticus catches them and they are forbidden to go to the Radley place without being invited. But, in Chapter 6, on a dare Jem and Dill decide to peep into the Raley's house window. When a shot rings out, Jem hastens to safety so quickly that he catches his pants upon the fence and must remove them. Later, he bravely returns for his pants, which Boo has mended. This episode alters Jem's perception of Boo Radley as the kindness of the bizarre captive of fifteen years touches Jem.
These episodes further the theme of maturation in Harper Lee's novel. The Radley place affords the children a chance to prove their bravery. And, when Atticus scolds them, they display character by not talking back to him. Also, they begin to become concerned with people's feelings who are outside their immediate circle.
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Poe's manipulation of time creates the effect of suspense because the narrator is moving so slowly and methodically. The narrator is seeking out the eye by trying to avoid disturbing the old man's sleep.
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Not a movie, but the Frankenstein musical did a pretty good job of recreating the novel. I watched the movie years ago, but I barely remember it. All I know is that they cut out Henry Clerval and made Victor old. In the novel, Victor is in his early twenties, and so many of the movie remakes make him a stereotypical "mad scientist". That's why I like the musical better than I do the movies. He's played by Hunter Foster, and even if Foster is in his 50's, he still looks and sounds young. His voice perfectly fits Victor, in a sort of "prestigious scientist who needs to take a nap" way. Very specific, but it makes sense. Then there's Henry, who doesn't get a huge part, but he's not that important in the novel either. He's actually there, though, and that's what makes the musical so good! Plus, they stayed true to the novel and made the creature learn English. In so many other adaptations, they make the creature this eight foot tall man who can't speak, while in the novel he has a great dialect and talks better than most people I know. In the musical, they stay true to this and cast someone who has a deep, baritone voice to play him. The casting choices are amazing, the way they stayed with the novel is great, and even as a standalone show the music is wonderful.
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