Answer:
1. He employed layering and overlapping
2. He painted the church in a dim color and used bright orange colors for the closer features in the foreground
3. He also used lighting
Explanation:
The Barfüsserkirche II (Church of the Minorities II) painting by Lyonel Feininger was done in 1926 and it depicted a church that may not be instantly recognized as such by an observer, surrounded by a building in the background. A ray of light seems to illuminate the church making it quite discernable.
The church seems to be deep into the background and this illusion was achieved through the dim color used for the church and the brighter colors used for the buildings encircling the church. Layering and overlapping were also used to create depth when the buildings in the foreground were placed in front while the church was placed in the background.
1: true
2: true
3: true
4:true
5: false, atmospheric perspective does add a sense of depth.
Let's break it down. The first part, Visual, is what you see when you look at something, color, arrangement, font, etc... The rhetoric part deals with the persuasion. In conclusion, it's what we see and how we act or think when we see it. It is one's ability to understand what an image is attempting to communicate.
<span>Pablo Picasso was an artist that gained his fame at the turn of the 20th Century. He is widely known and recognized, even just in name by almost anyone. Part of his popularity in the art world is due to the fact that most of his paintings were dated and classified into different "periods" depending on the date.</span>
