Shes crying because she has only $1.87 to buy her husband a present so we should assume that its the first one.
1. Their
2. They're
3. Their
4.Their
5. They're
6.there
1.who's
2.whose
3.Who's
4.whose
1.You're
2,3 & 4 is your
1. its
2.its
3.its
4.it's
1.We're
2. were
3. were
(if there's 4 i cant see it)
1. Two
2. too!
3.to
4.to
5.too
6.to
(I'll google the definition of affect since im not familiar with it but i know how to use effect)
1. affect
2.effect
3.effect
4. effect
1. loose
2.lose
3.lose
4.loose
1. through
2. threw
3.threw
4.threw
1.accept
2.except
3.except
(if there's 4 i cant see it)
I'll show you how these fit in the sentence to my best extent if you need me to
The answer is: Impersonating and remaining silent.
In the passage, the narrator describes Tom Stoppard's play "Rosencrantz and Guildenstern Are Dead." Both originally Shakespearean characters from "Hamlet," Stoppard develops them further in their own play, in which they "pass the time by impersonating other characters" and "remaining silent for long periods of time."
Answer:
- A sound of thunder is used to represent the T-Rex steps and Travis’s gun. The two things that cause giant turns in the story.
- The butterfly Eckels kills is easy—the butterfly effect. Also, butterflies represent freedom, a freedom he killed when his actions changed the outcome of the election.
- The path they’re supposed to stay on is written destiny. It’s the path that needs to be taken in order to get back to their normal lives.
- The bullets represent the disturbance of the past, and future, all at once.
I hope that this helps you! :)
Answer:
I would contend that the lines that have a more serious tone are these: I am offering this poem to you, since I have nothing else to give, and when the world outside no longer cares if you live or die; remember, I love you.
Explanation:
The speaker in this poem starts and finishes his declaration of love with references to his lack of material wealth. These parts of the poem feature a more serious tone. He then asks his beloved one to keep the poem, and his love, like a humble, but necessary, object. It is here, and throughout the next two stanzas, when he employs a visually descriptive and figurative language: a warm coat, a pair of thick socks. He then compares the poem and his love to a pot full of yellow corn and a scarf for your head, two equally simple, but very comforting, things. Lastly, he compares his love to a compass and to a warm and safe place in the middle of the wilderness (a reference to senectitude), finishing with a praise to love.
