6- our
7- She
8- we
9- His
10- me
The correct answer is option c) the onset, peak, and coda.Syllables have a beginning, a middle (usually the vowel), and an end. These are referred to (in order) as: the onset, peak, and coda.
<h3>What is syllable?</h3>
A syllable is an organizational unit for a sequence of speech sounds that normally consists of a syllable nucleus (usually a vowel) with optional starting and terminal borders (typically, consonants). Syllables are frequently regarded as the phonological "building blocks" of words. They can impact a language's rhythm, prosody, poetic meter, and stress patterns. Speech is normally separated into a single syllable: for example, the word ignite is made up of two syllables: ig and night. Syllabic writing predated the initial letters by several hundred years. The first syllables were inscribed on tablets in the Sumerian city of Ur circa 2800 BC. This transition from pictograms to syllables has been described as "the most significant development in the history of writing."
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Answer:
Good morning Queen Messy here!
At age eleven, Malala Yousafzai was already advocating for the rights of women and girls. As an outspoken proponent for girls’ right to education, Yousafzai was often in danger because of her beliefs. However, even after being shot by the Taliban, she continued her activism and founded the Malala Fund with her father.
Explanation:
In Greek mythology, Midas is a king obsessed with wealth. He asks the gods for the ability to turn anything he touches to gold. The gods grant his wish, and Midas soon realizes this gift is actually a curse. Chesterton uses the story of Midas as an analogy for chasing materialistic success. Much as the authors worship material wealth and pursue it as if it were attainable, Midas learns that his new ability doesn’t help him succeed because it prevents him from performing necessary tasks such as eating. Chesterton reminds readers of the obvious moral of Midas's story and shows that authors who write about success often misinterpret Midas's story—sometimes by using phrases such as "the Midas touch" in a positive light.
Chesterton emphasizes that King Midas is an example of foolishness and failure. He implies that, for the same reason, writers who encourage people to chase material success share Midas's foolishness:
We all know of such men. We are ever meeting or reading about such persons who turn everything they touch into gold. Success dogs their very footsteps. Their life's pathway leads unerringly upwards. They cannot fail.
Unfortunately, however, Midas could fail; he did. His path did not lead unerringly upward. He starved because whenever he touched a biscuit or a ham sandwich it turned to gold. That was the whole point of the story . . .
